Violence supervision in Conan

Chapter 750 The movie ends, this era belongs to Oni no Takeshi!

No one expected that Takeshi Ono would not kill Black Mamba's child, but instead raise her by his side.

The audience was equally surprised and was immediately taken aback by the sudden turn of events.

"A clever design, an unexpected twist!"

Akira Kurosawa and others were once again amazed by Takeshi Ono's unexpected plot design.

Upon seeing his daughter, whom he thought had died in the womb, "come back to life," even the strong-willed Black Mamba couldn't hold back anymore. His murderous aura vanished instantly, and his cold face softened.

His body trembled as he walked toward the small figure he had longed for day and night.

An indescribable joy filled every nerve in her body. Even the torture and near-death experiences that had kept her from shedding a tear made her burst into tears of joy at this moment.

The sudden feeling of happiness overwhelmed everything, immersing Black Mamba in the joy of his first and perhaps last family reunion.

He even temporarily put aside his hatred for Oni Takeshi.

But it's only temporary!
The matter between the two had to come to an end.

Oni Takeshi had long anticipated this, and bringing his daughter to Black Mamba was, in a way, an arrangement for her.

Perhaps he had already foreseen his own death.

The conversation that followed between the two was full of thought-provoking metaphors.

"Superman is Superman because he was originally Superman!"

This implies that Black Mamba, whether he admits it or not, is still an assassin, and in the constant cycle of hatred and violence, wanting to live a normal life is nothing but a naive and unrealistic fantasy.

Oni Takeshi wants to force Black Mamba to give up the idea of living as an ordinary person with his daughter, because it would be extremely dangerous for people like them.

Just like the Copperheaded Serpent, even if he retires from his life of crime and has children, he still cannot escape the fate of dying in a vendetta.

When that day comes, will their daughter have the same good fortune as the copper-headed snake's daughter and be able to escape this calamity?

Everything Ono Takeshi did was to force Black Mamba to give up this dangerous and foolish idea, including driving her down a bloody path of revenge.

But for Black Mamba, what Oni Takeshi sees as foolishness and naivety is the dream she has always been pursuing.

She longs to shed her identity as an assassin and start a new life!
Now, there is an additional goal that must be achieved—to take her daughter away from this cold-blooded man and never let her repeat her mistakes.

Not enough words to speculate!
The two, whose negotiations had broken down, ultimately had no choice but to resolve their differences with swords.

The final showdown that the audience had been waiting for finally unfolded amidst this torn-up facade of harmony!

Compared to the original Bill, Oni Takeshi's version is undoubtedly an enhanced BOSS, with strength far exceeding that of Ishii Oren, Copperhead Serpent, El, and others.

In the original film, Bill was killed by Black Mamba in no time, but Takeshi Ono forced Black Mamba into a life-or-death struggle.

Oni Takeshi may feel guilty towards the woman in front of him, but he will not sit idly by and wait to die.

The thrilling battle between the two kept everyone on the edge of their seats.

Because they each possessed extraordinary strength and could perform actions that ordinary people could not, Ono Takeshi was completely unrestrained and had no scruples whatsoever.

The designed movements challenge the limits of ordinary people's imagination, with all sorts of extremely difficult and even unbelievable movements performed with ease.

This drew gasps of surprise from the audience.

Apart from Makoto Kyogoku, everyone else was completely stunned by the incredible and highly entertaining battle between the two.

Everyone stared wide-eyed, completely mesmerized.

Even though Ono Takeshi and Wakasa Rumi had both restrained their strength, they were still considered the pinnacle by ordinary people. Their movements were elegant yet sharp, and at the same time, they were somewhat unimaginably exaggerated.

Watching the two actors move swiftly and captivatingly on screen, Akira Kurosawa twitched his lips and couldn't help but sigh:

"Where did Ono Takeshi find these amazing actors?"

The final battle did not disappoint the audience. In terms of entertainment value, excitement, and intensity, it surpassed the previous battles, sending the adrenaline soaring.

Conan felt like his bladder was about to explode, but he didn't dare miss a single moment, not even blinking.

To maximize the thrill, the fight scene was edited to a full eight minutes long, with Takeshi Ono and Rumi Wakasa giving it their all to present an exceptionally exciting action spectacle. When Takeshi Ono finally fell to the Black Mamba's blade, the audience was still immersed in the unprecedented scene, momentarily stunned.

"Whoo~"

After a long while, everyone finally let out a breath, releasing the excitement they had been holding in.

"it is good!"

"awesome!"

"Si Guoyi!"

Everyone couldn't help but applaud and cheer for this spectacular fight scene.

At the end of the movie, the Black Mamba, having successfully exacted his revenge, drives his daughter towards the future she longs for...

The movie has now ended!
Wow! ! !
Enthusiastic applause rang out again, echoing throughout cinemas across the country.

After watching this movie, everyone had only one thought—

Cool!
So cool!
Film critics, on the other hand, gave it even higher marks.

While most ordinary viewers are simply immersed in the exciting and thrilling plot, these professionals see the profound ideas contained in the film.

This is not just a simple action movie; its content is thought-provoking, and its narrative style and filming techniques are also remarkable, full of originality, and refreshing.

"The future is terrifying!"

Watching Takeshi Onino stand up to accept the audience's applause, Nagisa Oshima sighed sincerely.

He understood the movie.

"Killing Ghost Wild" uses extreme violent aesthetics as its outer layer to wrap profound reflections on humanity, power, and redemption.

Through a unique approach, using non-linear narrative, cross-cultural symbols, and the reconstruction of female subjectivity, the revenge story is elevated into a philosophical debate about the meaning of existence.

In the film, Black Mamba's every act of violence is both a violent outburst and an attempt at self-redemption; and her ultimate choice to end Oni-no-take with martial arts techniques suggests:

True redemption lies not in eliminating the enemy, but in transcending the cycle of violence and finding one's own way of survival.

This narrative tension, which oscillates between bloodshed and poetry, is what impressed Nagisa Oshima and also gives the film "Killing Oni-no-Kise" the potential to become a classic!

"Isn't this a good thing?"

Upon hearing Nagisa Oshima's remark, Akira Kurosawa smiled slightly.

Nagisa Oshima paused for a moment, then laughed.

“You old man are right.”

"Tch, aren't you an old man yourself?"

"Nonsense, I have a youthful mindset. This is called being old in body but young at heart!"

"Hehe, no wonder you can make films like In the Realm of the Senses."

"You idiot! You don't know anything! That's art!"

"Ah, yes, yes, yes~"

"Damn it! You bastard, you're still annoying even in your old age!"

"Same here~"

The two elderly people left amidst their bickering, without saying goodbye to Ono Takeshi.