Tokyo Tycoon, Start as a Writer

Chapter 63 Remarks on the launch
Just say a few words.

First of all, everyone can see that this is not a traditional literary work.

According to my definition, this is a combination of Japanese romance and Japanese entertainment and commercial writing.

In fact, I have never even read any work by a great writer, let alone write about it.

Many times I clicked in, scrolled through the table of contents, and after seeing the title of some book, I lost interest in reading.

How should I put it? Well... probably when choosing to copy a book, many authors only consider copying the famous ones to attract readers, without caring how awkward and incongruous it is to have such different writing styles appearing in the same person.

Take the Japanese literary world for example. An author who wrote a gloomy and dark work like "No Longer Human" would definitely not be able to write a critical work like "I Am a Cat" that is sharp, sarcastic and has a bit of dry humor.
He copied Haruki Murakami's book first and then copied Yasunari Kawabata's book. Unless all readers and scholars are mentally retarded, there is no way he can clear himself of the suspicion of ghostwriting.

The underlying logic of just picking famous works with completely similar literary styles to plagiarize is contradictory from the beginning, so I basically cannot read any of the works of literary masters.

Then, I like everyday writing.

If the plot is purely plagiarized and the only thing the protagonist does is to show off in front of others, it will be boring to read.

Before starting this book, my idea was to write a Japanese romance + Japanese workplace story, using the passion of the career line to fill the dullness of the romance story due to the lack of an upgrade main line, and combining the two to see if I could earn some royalties.

I have considered several career options.

Policemen, bank employees whose bubble is about to burst, actors and the like have all been considered.

Finally, I chose to start with plagiarism.

First of all, I have read almost all the books by great Japanese writers that have been translated into Chinese.

Natsume Soseki, Akutagawa Ryunosuke, Mishima Yukio, Kawabata Yasunari, Mori Ogai, Tanizaki Junichiro, Abe Kobo, Nagai Kafu, Higuchi Ichiyo, Oe Kenzaburo, Watanabe Junichi, Dazai Osamu (I haven't read this much, and I don't like any of the others except "The Setting Sun").

I have also finished reading Murakami's Chinese translation.

I haven't read many mystery novels, except for a few high-scoring works by Kyogoku Natsuhiko and Higashino Keigo.

I also occasionally come into contact with new generation writers such as Morimi Tomihiko and Otsuichi.

With a reading foundation, writing about literary masters is a natural progression.

The second reason is that my personal writing style tends to imitate Mishima intentionally or unintentionally. Some descriptions tend to appear very complicated, which is very inconsistent with the straightforward writing requirements of online articles.

For example, this passage from Chapter 1:
"An instinctive impulse surged in his body, transforming into a "pure and humble" beast, running in the sunny field, panting and hanging his burning tongue."

Most readers have limited energy and they read through the text quickly without even thinking about the purpose of the writing.

They will find it wordy and boring.

But if I wrote "He was like a dog in heat, sticking out his tongue and drooling", they would praise me for my wonderful writing. Only in the works of great writers can I boldly write such words.

Combining the accumulation of reading and writing style, Wenhao can be said to be on a track where he can maximize his advantages.

Determine the direction, open Word and get started.

In terms of the plot, I did not choose to make the whole world the enemy of the male protagonist, and let the male protagonist upgrade all the way to slap the past in the face. Instead, I created noble people like Security Guard Oshima, Editor Oguri, and Professor Kiyono to appear in the protagonist's world, allowing the confused and lonely protagonist to feel the warmth between people.

I hope that their existence will allow Matsueda to gain friendship, love and growth in this strange country.

Since this is the first time I write about this topic, I didn’t have high expectations for the results. Being published in Sanjiang is a small surprise.

After making the first pot of gold from plagiarism, you have both money and fame, and that’s when an entertainment empire rises.

Finally, I would like to thank all the book lovers for their support.

According to the current follow-up reading estimates, the first order should be a minimum of 1500, and it would be a surprise if it could reach 2000.

I will update more when the first order reaches 2000.

If the monthly tickets reach 1000, we will update more.

Finally, let’s talk about the issues that everyone is concerned about.

As for the heroine, she takes up a large part in the plot and any emotional development will not be missed.

However, in order to ensure that female characters are not created just for the sake of promoting women, each female protagonist will have a very detailed personality development, and will go through a period of gradual emotional development before getting together with the male protagonist.

Also, about what can’t be written.

You know everything.

Okay, let me stop here with my remarks. I won’t try to gain sympathy anymore because I have never done so anyway.

Finally, thanks to the editor Penglai.

Book friends who have seen this book on other websites can only join the full subscription group if they have subscribed to [Qidian Reading]. Subscriptions on other websites do not count, so if you are able, it is better to come to Qidian to read the authentic version.

The VIP chapter will be updated at 0: am tonight.

Please place your first order and ask for tickets.

Thanks.

(End of this chapter)