Didn't you say that we would lose money after filming?

What follows is the hierarchical structure of crime, which is also the focus of the film's revelation.

Although Lu Bingkun is the direct manager of the factory, there is a larger criminal network behind him.

At the end of the movie, when Lu Bingkun put the Rolex watch into his daughter's schoolbag and said, "I also want to redeem myself for my crime," it implied that he was also serving a higher-level force.

This hierarchical structure makes every participant both a perpetrator and a victim, forming a criminal loop that is difficult to escape.

Through these complex relationships between characters, Xia Yuan shows that online fraud is not the isolated behavior of individual criminals, but an intricate international criminal network whose harm is far beyond the imagination of ordinary people.

Even the participation of the top leaders of a country like Myanmar is something that is horrifying and terrifying!

The reason why Xia Yuan's presentation of the online fraud factory is so shocking is that it goes beyond the simple dichotomy of good and evil and reveals how human nature is systematically distorted and destroyed in this alienated space.

Whether it is the victims who were forced to participate in the fraud, the thugs who gradually fell into depravity, or even the high-ranking Lu Bingkun, they have all become part of this evil machine, showing the darkest picture of human nature in modern society.

These are the details summarized by the crew through in-depth interviews with real fraudsters!
Finally, the focus of this video is on Xia Yuan’s “self-destructive” acting skills: his transformation from Tyrannosaurus Rex to Lu Bingkun.
If the presentation of the cyber fraud factory in "All or Nothing" is chilling, then the fraud leader Lu Bingkun, portrayed by Xia Yuan, gives this fear a concrete face.

It is hard to imagine that this is the director who became famous for his role as Tyrannosaurus Rex in "Pulp Comedy".

Yes! A director! Became the MVP of this film! !
Xia Yuan completed an amazing transformation in this performance. With his "self-destructive" acting method, he created an unforgettable villain image in the history of Han Xia movies.

This is not a simple stereotypical portrayal of a villain, but an acting experiment that delves into criminal psychology. Its complexity and completeness can be regarded as the pinnacle of villain performances in Chinese-language films in recent years.

The complete transformation of appearance and body language is Xia Yuan's first step in shaping the character.

In order to get closer to the character of Lu Bingkun, we can get a glimpse of it through the existing information. Xia Yuan drinks a lot of beer after work every day and deliberately maintains a beer belly;
He had a greasy slicked-back hair, a gold Rolex watch on his left hand and a bracelet on his right hand. He always walked with his back bent and his belly sticking out, like a predator waiting for an opportunity.

He specifically found an animal basis for the character - a vulture, the kind of greedy image that hovers around after eating, ready to take another bite at any time.

This comprehensive transformation from appearance to temperament makes Lu Bingkun appear with an uncomfortable sense of oppression, which is in sharp contrast with Xia Yuan's previous image. The audience can hardly recognize that this is the Tyrannosaurus brother who used foul language and was extremely vulgar.

Although they are both criminals, the image gap between the two characters is too great.

This thoroughly "disfiguring performance" demonstrates Xia Yuan's efforts as an actor and his professional determination.

The extreme cruelty in calmness is the most terrifying characteristic of the character Lu Bingkun.

Different from the aggressive and ferocious performance style of other villain characters, Xia Yuan chose an almost indifferent performance style.

He said the cruelest words in the calmest tone and made the cruelest decision in the most casual manner. The Buddha worship scene in the movie, which was widely circulated on short video platforms, is a classic: Lu Bingkun first calmly gestured to his men to kill through the window, then turned around and worshiped the Buddha devoutly. It took only a second, but it showed the contrast between hypocrisy and cruelty vividly.

This style of acting is effective because it is closer to the behavior patterns of extremely evil people in the real world - real demons often wear ordinary masks and commit atrocities in an everyday way. Even Tang Ying, who acted opposite Xia Yuan, said that she was "very scared" when acting opposite him, and that many times the fear reaction was not acted out, but real feelings.

The delicate presentation of complex human nature makes Lu Bingkun transcend the simple villain image. Xia Yuan did not shape this character into a pure devil, but gave him multi-layered personality traits.

On the one hand, he is a ruthless criminal boss, but on the other hand, he shows rare tenderness towards his daughter; he can punish escapees with the most cruel means, but at certain moments he shows "care" for his subordinates.

This complexity does not whitewash the criminals, but truly presents the distortion and alienation of human nature in extreme environments.

As Zhang Dan, a well-known criminal psychology research expert, said: "Even criminals in fraud groups may trust others or trust the wrong people. I don't think it is possible to define each character in a dichotomy without making the characters very flat."

As a director, Xia Yuan perhaps really understands what the director wants best. He accurately grasps this complexity, making Lu Bingkun a sample of criminal psychology that is both hateful and curious.

The creativity of improvisation is also an important means for Xia Yuan to shape his characters.

Unlike many actors who rely on scripts, Xia Yuan is the director himself. He can change the play at will and he will improvise within the set framework.

There was a scene where everyone was having a meal. The script originally only had a few lines, but Xia Yuan ended up improvising a more than ten-minute interlude, vividly showing Lu Bingkun's social skills and control as the gang leader.

This performance method stems from Xia Yuan's persistent pursuit of "truth".

From Brother Tyrannosaurus in "Pulp Comedy" to Zhang Mazi in "Let the Bullets Fly".

Then to the Joker in The Dark Knight, Xia Yuan, as a director, completed the most precious transformation of an actor——

Completely break free from the constraints of famous roles and constantly challenge your own boundaries! 】

A densely packed and extremely lengthy film review has once again fueled the popularity of the movie.

And it was at this time that the official account of the film and television management department took the lead in issuing an announcement on the Internet.

[About the reward and support details for the film "All or Nothing"]

Heye Group was holding a grand celebration banquet at this time.

Led by Tang Ying, they stood on a platform and stepped on boxes, pouring out high-end champagne that cost tens of thousands of dollars a bottle as if it were free.

She is very happy now.

Finally!
More than ten years!!
No, it should be said that it has been fifteen years!!
She finally suffered a hearty loss, and this time, it was a huge loss!!
How many hundreds of millions! How many hundreds of millions!

Can't this be sent directly?
Tang Ying finally felt like she had gotten what she wanted, and a sense of pride suddenly rose in her heart. (End of this chapter)