Didn't you say that we would lose money after filming?

"This is really a magical schedule. In this schedule, there is a big devil recognized by the Chinese film industry, the kind with the power to destroy the world, the real final BOSS, which makes everyone afraid to avoid him. Fearing that they will be affected, they all choose to avoid him. In the end, only Zhang Zelin is fearless and goes to meet him. Maybe he wants to say goodbye to Xia Yuan in person at the end, saying, "Brother, I'm leaving first, you must keep your original intention." A farewell, and finally two blockbuster movies, all the box office is donated, and the two producers do not take a cent."

"The producer of 'Qing Shan I Sing My Song' is the same company that produced 'Qing Shan Jue'. Everyone, please pay attention. This company is also righteous and worthy of admiration. They witnessed the rise of Director Zhang and were finally willing to sacrifice their lives and spend money to accompany Director Zhang to make another splash."

"I can only say that the only winners of this period are the audience and movie fans. The two of you used two movies with huge investments to make the audience win once. Are they the biggest losers? No, that's not right. It's all the film production companies that chose to withdraw and avoid the limelight! They are the real losers, and their loss is particularly ugly!"

"Xia Yuan and Tang Ying are also righteous. This wave is all righteous, and it makes people feel warm. It turns out that the entertainment industry is not only full of ecstasy and fame, but also warm. This is really a rare scene."

Both movies were a blast.

The box office is rising rapidly at a terrifying rate.

Many film critics, including Wang Zhong, have written reviews of the two films.

All gave high praise.

There is basically no need to say much about the film review of "Green Mountains, I Sing, My Journey". This movie is not difficult to understand and basically does not require any viewing threshold. It is the kind that moistens things silently.

The most important thing is the film review of "A Chinese Odyssey: Part One".

Wang Zhong's film review is as follows:

"A Chinese Odyssey: Part One": an "anti-traditional" feast under a nonsensical carnival.

——How Xia Yuan deconstructs classics with absurdity
"A Chinese Odyssey: Part One" has firmly established itself as the king of Chinese-language comedies since its release.

This seemingly crazy "farce" uses Xia's nonsensical language to tear apart the romantic filter of the talented scholar and the beautiful woman, and also exposes the hypocrisy and affectation of traditional narratives. It is not only a comedy that makes people laugh until their stomachs hurt, but also a sharp scalpel that dissects the absurd nature of power, identity and love.

Deconstructing classics: When "talent" becomes a laughing stock.

In history, Tang Bohu was the leader of the four great talents in Jiangnan, a man of extraordinary poetry and painting, and a romantic and suave person. But in Xia Yuan's lens, this legendary talent has become a market expert who "plays the pig and eats the tiger": he draws erotic pictures to make a living, roasts chicken wings with his inner strength, and even relies on the tragic drama of "Xiao Qiang" to sneak into the capital as a slave. This subversion is by no means a spoof, but a sharp mockery of the "literati myth" - when talent cannot be exchanged for real value, elegance becomes a tool for making a living.

In the film, the appearance of the "Four Talents" is the pinnacle of absurdity: they dance with exaggerated steps and sing "Braised Chicken Wings Are My Favorite", completely trampling on the nobleness of traditional literati. Xia Yuan uses exaggerated body language and humorous lines to dispel the sacred halo of "talents", allowing the audience to see that the so-called elegance is just another form of "performance".
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Love Game: Who is "clicking" whom?

The classic story of "Dancing with Qiuxiang" is essentially a romantic fantasy from a male perspective: a talented man conquers a beautiful woman and wins her home. But in this movie, Qiuxiang (played by Tang Ying) is by no means a "naive" woman waiting to be saved. Her "three smiles to retain her love" was a carefully designed scam from the beginning, and Tang Bohu's painstaking pursuit eventually became a one-man show of self-touching.

Tang Bohu was originally depressed and met Qiuxiang because his wife was addicted to gambling every day and neglected the family, which was not what he loved.

When Tang Bohu tearfully performed the role of "Father of Cockroaches" in the backyard of the Huafu, Qiuxiang watched coldly and even complained: "You acted too exaggeratedly." This scene completely reversed the power relationship: women are no longer prey in the game of love, but sober observers. Even more ironic is that when Tang Bohu "won" Qiuxiang after going through untold hardships, he found that she was addicted to mahjong and was completely different from the ideal "perfect goddess". Instead, she became no different from his other wives - this backhand slap woke up all the romantic illusions.
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Nonsense philosophy: Absurdity is the truth of life.

Xia Yuan's comedies are never just funny. The seemingly crazy scenes in "Flirting Scholar" hide a sharp insight into reality:
The "hypocrisy" of the Hua family: on the surface, poetry and etiquette are passed down from generation to generation, but intrigue is rampant inside. The grudge between Mrs. Hua and the fatal scholar, and the "misery competition" of the Hua family maids, reveal the hypocrisy and cruelty of the wealthy family. The alienation of "martial arts": the Tang family's Overlord Spear must be activated by the "unrecognizable foot", and the scholar's fatal sword has become a "family ethics drama". Martial arts no longer represent chivalry, but have become an absurd survival skill.

The fluidity of identity: Tang Bohu counterattacked from a lowly house slave "9527" to a successful son-in-law in Washington, Qiuxiang fell from a goddess to a layman at the poker table. Everyone is struggling with identity labels, but no one cares "who I am".

This sense of absurdity is a mirror image of modern society. When we indulge in "personality" and pursue "success", aren't we just another "actor" in Washington?
When Tang Bohu and Qiuxiang looked at each other in bewilderment amid the sound of mahjong at the end, Xia Yuan gave the most truthful answer: love will fade, talented people will fall into destitution, and life will eventually become trivial - but those who dare to turn absurdity into carnival are the real heroes.

Originally, Xia Yuan and Tang Ying had not intended for this movie to lose money from the beginning, but in the end, it lost money in an unexpected way.

Rebates are also coming.

But this time, when Tang Ying finally got the huge rebate, a full 36 billion rebate, it was the first time that Tang Ying got it. She really got what she wanted. When she had money in her pocket, she was not as happy as she had imagined.

"I originally thought that if I got a rebate one day, I would be very happy," said Tang Ying.

But it is not the case.

"So? Honey, what do you want? Tell me, I will support you."

"Since you're going to do it, then do it thoroughly. Anyway, it doesn't matter if I have money or not. You can't let me starve for a day?" Tang Ying smiled: "Are you right? Will you let my daughter and I starve?"

"Of course not." Xia Yuan answered without hesitation.

"Then follow your heart."

“Well, follow your heart!”

Finally, Tang Ying used the 36 billion yuan in her personal name to establish the 'Heye Charity Foundation Association' with the Heye Group as the main body, and used it for charity.

This matter was not publicized or explained in any way; it just happened quietly.

The first project is to implement this funding as quickly as possible, spread it across the country, build a large number of Hope Schools, and, through cooperation with official departments, open up multiple channels for college students to find employment and apply for teaching support from education departments.

In addition, teachers who apply to teach in remote areas can enjoy the salary paid by the Heye Foundation, which will be fully borne by Heye!
The generous treatment is moving.

In addition, we have opened several sections to help children with rare diseases and cancer! (End of this chapter)