Tokyo, everyone is drawing comics, who still wants to fall in love?.

Chapter 640 "I'm such a fool!"

Takano Ran's disbelief was suppressed by Mikami Saburo.

Saburo Mikami still trusted Oda Nobuo.

Not to mention that the other party is my brother-in-law, just after walking with him and feeling his spirit, I feel that he is definitely not a guy who achieves self-satisfaction by hurting readers.

"Trust Oda Nobuo." Saburo Mikami said to his girlfriend with confidence.

Hmm? Maybe I missed the chance to avoid the green light on my head? Sankami Saburo wondered.

However, compared to his girlfriend, he still chose to believe in his brother.

The comics author Minamoto Reiko was also a little nervous.

"The script by Mr. Oda was not fully provided. And the direction of the story that follows... is really too hard to imagine..."

When Gen Reiko looked at the new script outline sent by Oda Shingo, she couldn't believe that the story was going to get even more cruel.

"Is it because RED is originally a yellow, red and black magazine?" This is the only way Yuan Lingzi could comfort herself.

Compared to Minamoto Reiko, the girls in Oda Shingo's studio did not react at all.

Oda Shingo did not give a complete story script, but none of them said anything.

Oda Shingo had no time to spare and worked diligently on the script and animation supervision.

After all, Gen Reiko was a comic writer who had just been promoted from assistant, and many of the storyboards still had flaws.

Shingo Oda often had to modify her original storyboards, which sometimes even took him longer than drawing them himself.

Fortunately, Minamoto Reiko had some connections with him, and she was a low-key person and didn't even raise any objections to the changes.

What is even more commendable is that after Oda Shingo explained the changes she had made through the video, she rarely made the same mistakes again.

However, there are many details in the painting of "Puella Magi Madoka Magica" that need to be perfected, which cannot be achieved by script alone. Oda Shingo often makes detailed prompts and writes down requirements in the storyboards.

Puella Magi Madoka Magica is a work that is obsessed with details. For example, in the original work on Earth, there are details about the munition number of Homura Akemi. The anti-tank bazooka she used was engraved with "μ-12", μ represents magnetic permeability, and 12 corresponds to the date when Madoka disappeared (March 3).

There is also Madoka's red hairband. When her mother tied it for her in episode 1, the bow shape resembled the topological structure of the "Circle Principle". In the final episode, the hairband turned into wings of light and dissipated, suggesting the image of "restraint" turning into "eternity".

There are countless details like this. Many comic fans on the earth are keen to check the original work frame by frame, and every time they find a detail, they feel as happy as discovering a new continent.

However, the understanding and evaluation of this work is far from reaching this level.

Even though there were many hints in the first serialization, few readers noticed them, let alone consciously approached the ending.

In the comics world, the discussion about "Puella Magi Madoka Magica" written by Shingo Oda has not yet ended.

"Oda Shingo, what was your mentality when you wrote the script for Puella Magi Madoka Magica?"

“This is a phrase that’s been mentioned a lot recently.

Because the second week of the serialization of "RED" brings new cruelty to the plot.

After senior Mami "turned around" and left, the girl Miki Sayaka became a magical girl to save her childhood sweetheart and healed her disability. However, she herself became a minotaur.

Her rationality gradually collapsed in the distortion of her desires, and after discovering that her body had become a zombie, she deliberately hurt herself in battle.

"Is this world worth saving? What is the purpose of everything I have done so far?"

In questioning herself, Sayaka Miki finally hated everything about herself: her body, her spirit, and even the beliefs she had always advocated.

"I am such an idiot!"

She said this with tears in her eyes and a hint of self-deprecating smile.

The hearts of many comic fans were touched.

This green-haired girl made a wish for her friend, but ended up like this... Comic fans find it simply unacceptable!
If it was a comic like Goblin Slayer, people would just think it was very normal.

But why do magical girl comics have such plots?
But it's not over.

Sakura Kyoko is also here.

Having suffered great pain, Kyoko sympathizes with Sayaka and tries to guide her, not wanting her to follow her old path, and persuades her to give up the fantasy of being a "bringer of justice". After the guidance fails, the fragile Sayaka is betrayed by her own wishes and becomes a witch.

Kyoko becomes desperate because she cannot wake Sayaka up no matter what she does, so she detonates her spirit core and ascends to heaven with her.

“Wow——such a good red-haired girl is going to die too? And by the way of soul explosion?!”

"Is this still a story about a magical girl? No, no, it's not!"

“Is this a comic that brings realism into comics and deliberately collapses our dreams?”

The trend on the Internet has slowly changed.

Many comic fans began to question Shingo Oda's new comic.

"Teacher Oda, answer us, is this work drawn just to torture us?"

“Although it fits the theme of RED magazine, this depressing show is simply unbearable!”

"I finally understand why such simple and cute painting techniques were used to draw this work. Because on the basis of what everyone thinks is a beautiful and happy comic, this beautiful happiness was shattered even more miserably!"

"Sensei Oda Shingo, please tell us that you are not so cruel!"

"I feel so hopeless watching this! Isn't the magical girl so miserable? Will the protagonist also be forced to become a magical girl and then be equally miserable?"

But there are also many comic fans who firmly stand on the side of Oda Shingo.

“Please respect the author’s work!”

"Yes, Mr. Oda is a god, I have full trust in him!"

"At least the protagonist is not dead! Why are you talking about despair?"

However, the conclusion that "the protagonist is not dead" was completely shattered by the third week of serialization.

And it was shattered not just once, but many times!
This made countless comic fans shout "I'm going to die!" "I'm really dead!" "I've died countless times!"

The first sentence talks about one's own feelings, the second sentence talks about the protagonist's experience in the new plot, and the third sentence talks about the infinite cycle of fate brought to the protagonist by the magical girl with long black hair.

Homura Akemi is a time traveler.

She was originally a completely timid girl, but under the influence of Madoka, she gradually got rid of her inferiority complex. In order to change the ending of Madoka's death, she changed from a recipient to a donor, and made a wish to Kyubey to go back a month to rewrite history.

Therefore, she gained the ability to control time, and could pause or even reverse time. After experiencing countless reincarnations and failures, she witnessed all the truths, became stronger and stronger, and gradually became cold-blooded and ruthless, no longer trusting others, and did whatever it took to save Kaname Madoka.

However, the infinite cycle resulted in countless deaths of Madoka.

Failure, failure, failure... countless cycles of failure.

Despair, despair, despair...comic fans feel that everything seems irreversible.

"Eight million gods! Is Mr. Oda really going to make the plot so hopeless that it can no longer be hopeless?!"

Some comic fans roared in anger!

If Oda Shingo was not a pioneer in the comics industry, this comic would never have caused such a big stir.

Overnight, the comics world was suddenly swept by a storm - the Magical Girl Despair Storm.

(End of this chapter)