Idle game leads to another world.

Chapter 534: Subspace Entrance

There are many types of seals, but no matter what kind of seal it is, it is ultimately just a confrontation between spear and shield.

For example, there is a kind of magic contract in the multiverse world. The effectiveness of the contract is affected by the strength of the maker. The more powerful the maker, the less likely it is that the contract he makes will be breached.

Among all the magical contracts, the strongest one is the divine power contract signed in the name of God. Unless you have more power than the deity responsible for witnessing, it is almost impossible to breach the contract.

By the same token, there is no superiority or inferiority between the methods of sealing and unlocking. It is simply a simple contradiction and confrontation. The amount of divine power far exceeds the limit that the seal can withstand, so it can naturally be easily destroyed.

Li Chengxi pulled his hand away from the screen expressionlessly. Although Oldie and the others could not understand the universal international friendly gesture, it at least represented Li Chengxi's attitude.

I just don't know whether he wants to break the seal or express his feelings to Aldea...

I really want to join Aidas's WeChat group, and then send a message saying, "What to do if the believers are disobedient? I'm waiting online and it's urgent."

Leaving aside him for now, with the naked eye, there is actually no obvious difference between having a seal and not having one. In the eyes of Zora and Nemia, the stone is just a big stone, and there is no entrance or anything like that.

Aulday raised her staff towards the stone. No one knew what magic she used, but the center of the ordinary stone suddenly became 'blurred', with a fade-in and fade-out effect. Then a square hole about two meters wide appeared in the center of the stone. Standing outside, one could vaguely see the dilapidated stairs inside.

"Considering the level of the Mythology Age, the means of hiding the entrance is pretty good."

After leaving this comment, Alde rubbed the blue gem on the top of the staff, making it emit a faint phosphorescent light.

"This is a subspace entrance. Follow me closely and don't get lost."

Usually when entering underground ruins, wanderers walk in front, searching for traps or mechanisms.

But not this time.

The subspace entrance was essentially like a portal; it looked like they were walking into a hole in the stone, but in reality the physical location was no longer where they were originally.

Usually the entrance to the subspace is connected to a demiplane, which is an underdeveloped plane. It is difficult to say how big it is and what you will encounter there.

For example, the magic bag on Orde's shoulder is itself an entrance to the subspace, and the storage space of the magic bag is a demiplane.

If you walk around here randomly, you might be teleported into the void, so you must be careful.

Upon hearing this, Zora and Nimia hurriedly followed Olde's footsteps. After the three of them entered the cave, they didn't feel anything unusual at first. It was just like going down the stairs to the cellar.

But if you continue walking down, you will find that the darkness around you becomes blurred. You can't even confirm whether the rock walls on both sides of your body are still there. You will even have the illusion that you are walking on the dark and deep seabed.

The blue phosphorescent light from Orde's staff was like a bubble. Once you leave this bubble, who knows what will happen.

The difference between the subspace entrance and general teleportation is that this thing consumes very little energy. Once it is set up, it can exist for tens of thousands of years. The process of passing through the subspace entrance is far less convenient than a portal.

The space here is chaotic, and even the concept of time is blurred. If you look down, you may see that your footsteps are stepping back step by step on the stairs, but you feel that you are walking down, which can easily make you dizzy. I don't know how long they have been moving forward. Zora and Nimia are a little confused. They just follow Oldie mechanically until they see her suddenly stop and the two almost bump into each other.

At this time, Orde raised his staff, and the blue phosphorescence on the orb spread in all directions at a speed visible to the naked eye.

Zora and Nimia blinked their eyes. The darkness around them just now had disappeared, as if another layer had covered the darkness. What appeared before their eyes was a huge stone door with obvious signs of artificial repair.

The door was big enough for a giant seven or eight meters tall to pass through. On the left and right sides stood a stone brazier more than one meter tall. A pale green flame was burning in the brazier, providing the most basic lighting.

The two door panels of the stone gate are carved with skulls, swords and other patterns as decoration, but the most eye-catching are two huge pentagram patterns.

There are three flame-shaped emblems in the pentagram, which looks like a symbol with some special meaning, but for some reason, two of the patterns are pierced by a sharp sword, leaving ugly scratches.

Orday recognized at a glance that the pentagram emblem was the holy emblem of the previous generation of the Demon King God, and splitting the holy emblem into two was a contempt and insult to the Demon King God. This was obviously a relic built by people who rebelled against the previous generation of the Demon King God.

The last time Orday went to get the Demon King's Ring, although he found many traces left by the rebels in it, the ruins themselves were probably the temple of the previous generation of the Demon King, which was equivalent to being recycled. That is why he saw a large number of golems loyal to the Demon King in it.

And this time...

Just by looking at the emblem at the door, you can tell how unfriendly the builders of the ruins are to the Demon King. This may be a ruin built entirely for the purpose of sealing the Demon King's Ring. The level of danger is completely different from the last time.

The good news is that this huge stone door was opened. Although it was not fully opened, it was at least large enough for three people to enter.

The bad news was that from the slightly opened door came an extremely pungent stench, or to be more specific, the stench of a rotting corpse.

This time, Olde couldn't walk in the front. The three of them swapped positions, with Nimia in the front, Olde in the middle, and Zora at the back, and they passed through the stone gate in a standard adventurer formation.

Behind the door is a wide and tall tunnel. From time to time, you can see a few stone braziers with pale green flames to provide lighting. The view is not clear, but it does not affect the vision much.

The strong stench of corpses became increasingly distinct as the three entered the tunnel, and they were getting closer and closer to the source.

The tunnel turned a corner about fifty meters ahead. After the three of them carefully went around it, they finally saw the source of the stench.

It was a small hill made of human bodies, like a foul-smelling shachima. Many people were incomplete, with broken limbs and flesh fragments scattered all over the ground.

Nimia was a typical rookie adventurer. He had never seen such a scene before. Goose bumps appeared on the back of his neck and he covered his mouth tightly. He didn't know whether he was afraid of screaming or afraid of inhaling the stench of the rotting corpse and getting sick.

Zora and Oldie were better off. Normally, when they cleaned up the enemy's bodies after a battle, they would pile them together and burn them. However, the visual impact of suddenly seeing a mountain of corpses was a bit too much.

But what surprised Oldie the most was that these corpses were all wearing gold and red robes, which looked like the kind worn by priests, and these corpses did not look like normal people at all.

If you look closely, you will find that many parts of the corpse seem to be covered with mechanical structures, like prosthetic limbs, or some special creation...

(End of this chapter)