Idle game leads to another world.

Chapter 1633 Doomsday Mural
To put it simply, ciphertext is the encryption of text. The famous Caesar cipher and the acrostic poems of our dynasty can be considered as a type of ciphertext.

Generally speaking, if there is no corresponding decryption method, you have to spend a lot of time studying the text rules to find out how to read it, and time...

Even the most skilled textual scholars would need to spend several years to decades to complete this task.

But it doesn't have to be cracked by force, Flavia is still there.

As a member of the royal family of Subia, he must know how to interpret the information. It would be a bit funny if he couldn't understand the information collected in his family's secret room.

In short, take all the stone slabs back and let Flavia identify them.

Alde opened the magic bag and numbered the slates with a marker to avoid mixing up the order, while Zora carefully picked up the numbered slates and stuffed them in.

The earliest stone slab is several hundred years old, and even the newest one is two hundred years old. There are already some cracks on the stone slab, and it may break if there is too much movement.

Then it would be a wasted trip.

Nemia was walking around in the secret room, seemingly looking for possible treasure. This time, she didn't see a room full of gold, and she felt like something was missing.

The girl obviously didn't realize that the material value of the adamantine dagger on her waist was worth an entire well-maintained castle, not to mention its value after being enchanted, even if the dagger was only mixed with adamantine and not made of pure adamantine.

When searching for possible treasures, Nimia naturally turned his attention to the murals.

"What's drawn on this?"

"It may be the history of the founding of Subia. There are similar things in the family secret room of Oswaya."

It should be said that all the demon kingdoms are similar. They will be displayed in the form of murals, mostly to let future generations know how awesome they once were.

Olday didn't pay much attention and continued to put slabs in, but Nimia said:

"Uh... it doesn't look like the history of the founding of the country. Some parts seem inexplicable."

This caught Olde's attention, and when the last slab of stone was put in, she went over to take a look.

There is a number in the upper left corner of the mural, telling you which side to start viewing from.

The first thing that appears is a man dressed as a warrior stepping on the head of an ogre, probably recording the events of the founding monarch of Subia during his adventurer period.

The second picture shows a warrior marrying the daughter of a nobleman, which seems to be a show of affection between the couple.

The third picture is a picture of a warrior leading the army. Although Subia was founded very suddenly, it was not completely smooth sailing, and wars did break out during the process.

The fourth one shows a person sitting on a throne and wearing a crown. In general, the first four murals are the same as what Olde guessed, which is the history of the founding of Subia.

But by the fifth painting, something was wrong.

The upper half of the mural is a huge vortex, and the lower part is a plain dotted with buildings such as farmlands and farms.

What is this? Has this ever happened in the history of the founding of Subia?

Oldie carefully recalled the history books, but there was no record of it at all. After all, judging from the murals, the huge vortex almost occupied the sky. Such a spectacular event must have been recorded in history books.

Glancing at the upper left corner, I saw that the previous murals were all numbered, but starting from this one, the numbers disappeared.

Let’s move on to the next painting. This time it depicts the seaside, probably a port city in the Subia Demon Kingdom.

But what is strange is that in the upper part of the painting, where the sea should be, there appear several huge tentacles, as if they want to grasp the entire city in their hands.

The next mural depicts a giant, who is stepping on something, a castle. According to this scale, the giant must be at least a hundred meters tall.

Moreover, this giant has no particularly obvious racial characteristics. If you have to say something, his entire body looks very thick, as if it is made of rock.

The penultimate painting is very simple, with just a sword and lines that make it look like the sword is shining.

The last painting is even stranger.

Olde recognized at a glance that the main part of the painting was the royal city of Subia. She had been there when she was a child, so there was no way she could have made a mistake.

Behind the royal city, a huge crack appeared, as if it was about to tear the sky and the earth apart, and something seemed to be pouring out of the crack, but the murals could only be refined to this extent.

The reason why it is strange is that there is a distorted pentagram pattern engraved in the crack.

That is the holy emblem of the previous Demon King God.

The Subia Demon Kingdom was clearly established by the Seven Apostles, and the Seven Apostles clearly do not want the Demon King to return.

Why is there a mural in Subiya's family secret room with the holy emblem of the previous Demon King appearing on it?

Alday suddenly felt that she must have made a major discovery, but now she did not have enough information and could not figure out what these strange murals were trying to express.

She immediately took out a piece of paper from her magic bag that was so big that it could be used as a bedding, and used photocopying technique on each mural, making rubbings of them all to keep for later study.

At this point, the adventure is considered over, and all that remains is the return journey.

There are so many places to investigate and so much information to think about.

Maybe it took Olde too long to copy the mural. By the time she finished, the door of the secret room had been closed again.

This is not a big problem. We can use Flavia's blood to open the door.

But the problem is, when Olday walked up the stairs and was about to smear blood on the ceiling, he noticed a large area of ​​densely written words on the ceiling.

These characters are not the common language, nor are they the ancient language used in the Demon Realm thousands of years ago, but rather the ancient elven language with both pictures and texts.

Anyone who studies magic must know Elvish, because there are many spells that require Elvish or Dragon Language to pronounce.

The ancient Elvish language is much more complicated than the modern Elvish language. Considering that the builder of the family secret room was an elven wizard, this is not too surprising.

Oldie was not very proficient in this language, only knew a little bit, which she learned from chatting with local linguists when she was in the academic city.

Oldie couldn't tell what was written on it, but she understood magic.

Then Zora and Nimia saw Olde making spellcasting gestures towards the ceiling, as if checking something. She cast seven or eight spells in a row, which took almost ten minutes.

Finally, Oldie seemed satisfied. She nodded and took out Flavia's blood and smeared it on.

The door reopened just as it had been opened before, and the three of them walked up the stairs and returned to the room with the statues of the seven apostles.

Only this time, Alde said to the crystal-carved Illithid statue:

"You are so unlucky..."

There was even a hint of gloating in the tone.

(End of this chapter)