This actor just wants to verify.

Chapter 962: I am most afraid of being compared with my peers (asking for monthly tickets)
After practicing for a few days, Hao Yun gradually mastered the technique of going in and out.

Not only does it go smoother, it also goes deeper!

When he felt it was almost done, he finally started shooting the last few more important scenes.

One dream was about two children, and I said to him, "Dad, can't you see that we are on fire?"
Seeing two children in the dream is definitely different from their behavior before the fire, but also different from when they are awake, so the degree here is very difficult to grasp.

Several actors who were watching were discussing the scene and expressing their opinions on the play.

But there is one thing that is easy to agree on.

That is very difficult to act.

Many people can't even describe in words how this scene should be performed.

There is no clue, no direction, and I can only grope my way forward bit by bit.

A bad move might result in not being able to take photos for several days in a row.

Although Hao Yun was not able to pass the test in one try, the impact he had on his colleagues was no less than that of passing the test in one try.

Because it only took half a day to produce a result that the actors found amazing.

original……

This part can be performed like this!

It's definitely textbook-level acting.

When the movie is released, someone will definitely dig out this part for research.

However, Hao Yun's performance was still restrained.

Only by carving out the subtle details, in just a few tens of seconds, it shows how a person who is half asleep and half awake will face his beloved... and nightmare.

There are several changes, and if you are not a professional actor, you may not understand it.

"OK, this part is over. Let's take a break and continue shooting later." Hao Yun lay on his chair. He was very tired from shooting this scene.

There is no other way. If he wants to win the Best Actor award at Cannes with this movie, he has to pay so much.

Then he also wanted to finish the filming as soon as possible and return home as his wife and children were waiting for him at home.

In order to speed up the filming progress, Hao Yun personally demonstrated more and more to Freddie Highmore.

It’s just like Stephen Chow filming “Kung Fu”.

It would not be wrong to say that "Kung Fu" was performed by Stephen Chow alone, because he often demonstrated to every actor how to perform on the set.

Some actors perform amazingly in Stephen Chow's movies, but seem dull when they are not in Stephen Chow's movies, just because the director does not train them well.

Hao Yun's training of Freddie Highmore was enlightenment-oriented in the early stages, just like teaching an elementary school student, improving him little by little. Now that he has reached a higher level, he can try a different teaching method.

In his scene with the lawyer, Hao Yun also acted out the role for the lawyer.

He himself has a law degree, so even though he has never worked in the workplace, he can still act like a lawyer.

But the biggest difficulty in this scene was himself.

His brother's lawyer read out his brother's will to him, hoping that the protagonist Li could become his son's guardian.

However, the protagonist Li Ziran is unwilling to become a "father" again.

It was also in the room with the lawyer that the protagonist Li recalled the past when he made a mistake after being drunk and caused the death of three children in a fire.

For the protagonist Lee, taking on the responsibility of being a guardian father requires living in Manchester for a long time, which will constantly hurt his painful and guilty heart, and also means that he has to become a father again.

It would undoubtedly be more difficult for him to take on the responsibility of being a father again.

However, Hao Yun had been through so much, so the scene with the lawyer did not take too long, and the most difficult part to shoot still came to him.

There were two most difficult scenes to shoot in Manchester by the Sea.

One is about him taking a gun and committing suicide at the police station, and the other is about a conversation with his ex-wife.

Whether the scene shot a few days ago where the daughter talks about fire was performed well or not, or to what extent, actually has little impact on the movie.

At most, professionals will extract that section for analysis.

Analyze how awesome Hao Yun is.

Moviegoers don’t care, and they don’t understand.

But the two scenes of the police officer taking the gun and committing suicide and the conversation with his ex-wife are different. These two scenes will have a huge impact on movie fans.

It will be the highlight that breaks down the psychological defenses of movie fans.

The results in the last game were amazing, and this time it will definitely not lag behind.

Hao Yun arranged to start filming this scene a week after he returned to the crew, and the entire shooting cycle had already entered the post-production stage.

The seaside town at the end of November is especially cold.

The whole town was like an empty painting, mixed in with the flying snowflakes, without a trace of warmth.

"Do we need to rehearse first?" When Rosamund Pike first arrived, she saw Hao Yun smiling, but she was worried whether he could get into the state during the acting, and whether he, a part-time actor whose main job was director, had enough ability to play the role of Li well.

Now there is no need to worry anymore.

No, she couldn't say that she didn't have any worries. She was worried about whether she could act well in this scene and whether she would be killed instantly by Hao Yun.

She can be suppressed, but not killed instantly. Otherwise, she will not only not get any bonus from the movie, but will also be repeatedly criticized when everyone discusses the movie.

This scene could have become a classic, but because of Rosamund Pike's poor acting...

What I fear most is being outshined by my peers.

"Let me tell you about the play first. You need to understand what this play is for..."

Every scene has its role.

So, what does this scene want to express?

They met at an ordinary intersection, with his ex-wife and a newborn in her stroller.

One has already walked out, the other cannot walk out; one wants to apologize, the other cannot accept it; one actively wants to communicate, the other passively just wants to get out of it as soon as possible.

Do you think this was just an ordinary conversation during an encounter, where the heroine vented her emotions and that was it?

Actually not.

The purpose of this scene is to use the role of the ex-wife to launch a final test on the protagonist Li on behalf of the audience.

It's a test to see if this man, who has been extremely depressed throughout the entire movie, can still come out of the shadow.

Can you repair the emotional trauma and reconcile with the past?

After all, it had been a long time since the incident. My ex-wife divorced me and remarried and had children. My brother also passed away. It seemed that everyone had moved on from the shadow of the past.

It’s time for the protagonist Li to come out.

If you don’t come out now, the whole movie will be over!
Of course, the ex-wife was not testing him. She really hoped that the protagonist Li could move on.

"That's about what I mean." Hao Yun took the water handed to him by the fake Taoist priest and took a sip.

It's rare to be warm...

Warm?

Hao Yun observed the color and smell of the water before he breathed a sigh of relief.

"I understand!" Pei Chunhua nodded.

She jogged in circles on the spot, trying to relax herself in this way.

Hao Yun then went to discuss the filming of this scene with Cao Dun.

It was not so easy for Cao Dun to make this movie, but some things still need to be presented.

Hao Yun requested that the vertical line in the corner of the wall be highlighted during the adjustment process of the camera position. The cut made by the wall between the two people also symbolizes that the protagonist Li He cannot reconcile with the past.

Until the two said goodbye, this line remained so conspicuous.

After all the preparations were completed, Hao Yun finally stood where he should be.

Get into the play quickly and then immerse yourself further.

If there was a progress bar above Hao Yun's head, it would probably show something like 100%, 200%...

Then he gestured.

Han Yan started the countdown and announced that the filming officially began.

The confrontation at the beginning was not intense. At most, it was just two people who shouldn't meet each other. There would be a little avoidance and some discomfort.

As the plot unfolds, the ex-wife begins to become emotional.

"Cut, too fast, the emotions moved too fast, start over, start from the thirteen mirrors again, a gradual performance. If your emotions are pushed to this high now, how are you going to act later?"

Hao Yun quickly pointed out the problem without giving anyone time to rest.

Start quickly next time.

Then they talked about their nephew and eating.

The ex-wife tried to persuade the protagonist Li by using the topic of dinner, but the protagonist Li did not accept it. He was completely on guard and continued to avoid it.

Hao Yun's performance was almost completely expressionless, making it impossible to detect any emotion. It was a very realistic performance, as he repeatedly interrupted his ex-wife with questions about settling his nephew.

The ex-wife turned her head to adjust her mood, got to the point, and watched the man's reaction...

After several NGs, Pei Rosamund Pike finally got into the state. Her skills were very good, even better than Hao Yun had imagined.

Especially into the second half.

"My heart was broken, and I know your heart was broken too, because that was our child, and we could empathize..."

"I'm just heartbroken, but you bear more self-blame, guilt, pain and suffering than I do..."

This is the first step the ex-wife takes to try to help the man repair his wounds.

As long as you still have a glimmer of hope in life, you should try to move on.

Unfortunately, the protagonist Li, played by Hao Yun, is still indifferent.

This scene was shot very cruelly, and even made Rosamund Pike feel uncomfortable to the point of having to do NGs.

And Hao Yun’s highlight moment finally arrived.

(End of this chapter)