This actor just wants to verify.

Chapter 646 Come to my room at night (asking for monthly ticket)

The greatest loss in life is probably discovering that it doesn’t matter whether you are there or not.

That's what Hao Batian is like.

He checked the five days of filming and found that not only was a lot of footage taken, but the quality was also very high.

He decided to include Gao Qunshu in the list of assistant directors.

A labor fee is also required.

Hao Yun is never stingy in this regard.

After coming back, we filmed the scene where Huang Bo was bullied by two neon cabinets.

Huang Bo wanted to shoot the cabinet with a bow and arrow, but the bowstring broke.

He had no choice but to wind up and try again.

As a result, he was caught by the cabinet.

The guy at one end of the cabinet planned to use Huang Bo to help the guy at the other end build up his courage.

Hao Yun's filming of this movie is definitely not friendly to the cabinet.

He changed the script in several places.

The purpose is to show the brutality of the cabinet and expose its aggressive nature.

It's such a tiny place, but there are earthquakes all the time. Invasion is their only way out, and it will definitely be like this in the future.

This movie invited real Japanese people to participate.

There was also Lu Fangsheng, a classmate of Hao Yun, who had gone to Neon with his parents since he was a child.

There’s nothing wrong with playing a Japanese character and speaking Japanese.

In addition to acting, he can also work as a translator.

In fact, it’s not just Lu Fangsheng, those Japanese people can also feel the director’s attitude towards Japan.

Although Hao Yun hid very deeply.

But they don't care about this, they just come here to make a living.

One can even say that they are Japanese traitors.

All year round, he plays the role of a brutal Japanese in Chinese movies and TV series.

If we really attack that place in the future, these might all be "talents".

"Tell him to be more aggressive and pay attention to his facial expressions."

Hao Yun asked Lu Fangsheng to help translate. Although he had learned some Japanese, it took him a while to be able to have a fluent conversation.

However, after filming this movie and spending a few days with some Japanese people, I will definitely have no problem having simple daily conversations.

Much better than those who learned Japanese from romantic action movies.

Lu Fangsheng not only translated the original words, but also added some understanding of the performance.

He was born in 78 and finished college in Neon before being admitted to the Beijing Film Academy.

Although he got a few roles during his school years and after graduation, his career development was never very good. He could only take advantage of the language and growing environment to play some Japanese roles.

He was actually very worried that he would be labeled as a "cabinet professional".

But surviving is more important than anything else.

This time when Hao Yun started filming "Bullfighting", he just came forward and because they were classmates, he was given a lot of room to perform.

It is quite convenient for Lu Fangsheng to use, as he knows Japanese actors better.

The Neon officer grabbed Huang Bo and beat him up. Huang Bo was beaten very badly, but he did fight back. Huang Bo failed several times when fighting back.

"He beat you brutally and condescendingly, and although you resisted, you were very scared inside. You were just an honest villager, so your counterattack was also timid..."

Hao Yun made Huang Bo understand the crux of the problem in just a few words.

Just a little bit.

This is the acting school.

If it was a head-changing freak with terrible acting skills and no talent or effort, she would still stare at you with her big innocent eyes blinking even after you had been trying for three days.

Some Japanese actors, however, began to doubt their lives.

Although they were in China, they did not know Huang Bo. They did not expect that such an unknown person could perform with such superb skills.

And his comprehension is so strong.

Although this movie is also about the anti-Japanese war, there are not many war scenes and the scenes are not large.

It took only a dozen extras to complete the gunfight scene.

"When we shoot Jinling in the future, we definitely can't use small scenes like this. We have to make it as big as possible to show a sense of shock."

Hao Yun did not forget to communicate with Gao Qunshu.

Gao Qunshu also nodded repeatedly. He and Hao Yun had discussed that "Jinling" would use an anti-war shell but put different things inside.

Unlike Japan's anti-war movement which is against defeat, our anti-war movement should be about remembering that history and being prepared to fight back at any time.

The movie should capture the real side and record that period of history.

Instead of analyzing whether the Japanese have humanity, we should explore what compulsions they have.

Our ancestors have long said that if you repay evil with kindness, how can you repay kindness?

Of course, the way of expression cannot be so direct, and the scale of expression should be slightly milder.

One is for approval, the other is for popularization. A single movie cannot solve all problems, but it can be a spark to start a fire.

We should keep this in mind, and so should the future generations.

Gao Qunshu's feelings were somewhat different.

People always say that those born in the 1980s and 1990s are a ruined generation.

But after the post-80s generation grew up, there was no sign of a ruined generation.

This generation has not only not forgotten the national hatred and family feuds, but has a deeper understanding of them.

In addition, while the older generation remembers these things, they are also filled with fear, envy, and even yearning for foreign countries.

However, Gao Qunshu saw more confidence in Hao Yun, who was born in the 1980s.

They are far less servile to foreign countries than the previous generation.

When this generation grows up and even dominates Guo Jia, maybe there won't be so many old traitors.

"How can we film this if we study all day long? We don't even know if we're allowed to do so." Gao Qunshu was not particularly optimistic.

He also asked people to inquire about these things.

Jinling certainly doesn't want people to "whitewash" Neon, but they also don't want the film to be too "radical".

These days, culture has to give way to Zheng Zhi.

You have to be whatever you are required to be, there is no logic to it.

"It's just like bidding for a project. The more prepared we are, the easier it will be to win the bid. You can't just wait for pie to fall from the sky."

If you ask Hao Yun if he is sure, he definitely doesn't.

But he is not the kind of person who does things only when he is sure. Instead, he will prepare everything that needs to be prepared regardless of whether he is sure or not.

Just like the college entrance examination, postgraduate entrance examination, and becoming a disciple of Chen Xingliang and so on.

He tried his best to read books and do exercises for the college entrance examination, and ranked third in the liberal arts in Anhui Province. He also treated the postgraduate entrance examination as the college entrance examination, and also scored an absolutely high score.

As for Chen Xingliang, he had the introduction of Pu's father and the support of the systematic paper, but he did not sit back and relax.

Instead, he read a large number of books without putting them down, and studied the papers given by the system very thoroughly. He could also speak fluently in front of academic giants like Chen Xingliang with his attributes.

If you don't have any knowledge, it's useless to just learn the attributes.

How can you build a tall building on flat ground?

The same thing happened with "Jinling" this time.

While Hao Yun was inquiring about the inside story and project progress and using his connections to influence the decision-making there, he also began to make a lot of preparations.

The documents were moved box by box into his room in the hotel.

After finishing the filming, he pulled Gao Qunshu and other assistant directors together to discuss how to shoot the movie and how to write the script.

If Jinling invites him and Lu Yan to discuss it in detail one day.

Lu Yu was eating the skewers dryly, and the skewers were sparking, while Hao Yun directly served a full banquet.

Information and scripts are all available.

You said to turn it on as soon as possible, but I won't let it go past midnight.

"That makes sense. Regardless of whether we can be selected or not, this preparation is not meaningless." Gao Qunshu agreed with Hao Yun's point of view.

Many people think that the reason for Hao Yun’s success is his talent.

Gao Qunshu feels that in addition to his talent, Hao Yun's attitude towards work is also rare and valuable.

"Yes, even if we are not selected, we will still shoot our own version of "Jinling". He will shoot his and we will shoot ours." Hao Yun was determined to shoot it.

"In fact, if Lu Yan really has a problem and would shoot a movie called 'Jinling' with a core problem, it would be better for everyone to shoot it so that he would be exposed through comparison..." Gao Qunshu said suddenly.

"Brother, how old are you? Why are you so naive?" Hao Yun said bluntly.

"What do you mean?" Gao Qunshu was born in 66 and is already years old, but Hao Yun criticized him for being naive. He must be unconvinced in his heart.

"Believe it or not, no matter how crooked his photos are, there will always be a group of people cheering for him, and some people will think his photos are more artistic and more humane..."

Hao Yun chuckled, he seemed to have seen such a scene.

It's very real, and it makes you so angry that you grit your teeth but you can't do anything about it.

They will think Lu Yan is right and that he is a hero.

What’s even more frightening is that not all of these people are traitors like Lu Yan. Some of them even often think that they are very patriotic and have a strong sense of justice.

"Alas~" Gao Qunshu was speechless.

He felt that what Hao Yun said was not "maybe" but "definitely".

"Also, with Jinling's support, the film will be easier and more convenient to shoot, and it won't be easily blocked by someone with ulterior motives. Let's continue to prepare. Come to my room tonight."

Hao Yun patted Gao Qunshu on the shoulder and went back to work.

"Who do you think makes the best movies in this area?" Gao Qunshu asked, looking at Hao Yun's back.

"Jiang Wen!"

Hao Yun answered without hesitation.

"I think your movie 'Bullfighting' is also good." Gao Qunshu said sincerely.

"That is required!"

Pulling Lu Yan's director's chair over, Hao Yun sat on it and continued filming "Bullfighting".

(End of this chapter)