This actor just wants to verify.

Chapter 586 is simply shameless (asking for monthly tickets)
A new script, Painted Skin?
If you read the following "Strange Stories from a Chinese Studio" by Pu Songling, you will know that these are stories from Strange Stories from a Chinese Studio.

Strange Stories from a Chinese Studio is also a popular IP.

The most popular one is naturally "A Chinese Ghost Story". Since the first film was produced by Shaw Brothers in 1960, it has been remade continuously.

Another famous film is "A Touch of Zen", which was directed by King Hu in 1971 and influenced an entire generation of Hong Kong filmmakers.

Zhou Xun also made his debut with the Strange Stories from a Chinese Studio movie "Ancient Tomb and Abandoned House". Xie Tieli used the Strange Stories from a Chinese Studio story "Lian Suo" as the basic framework and integrated four stories: "Lian Suo", "Jiao Na", "Painted Skin" and "Nie Xiaoqian". It is one of the rare Strange Stories from a Chinese Studio movies that integrates multiple stories into one.

The actors chosen are also relatively well-known, including Fu Yiwei, Zhou Xun, Xing Minshan and others.

On the way back in the car, Hao Yun took a quick look at the script.

The script given by the system is still very detailed, it's only a matter of time before the storyboard is drawn, and even how to shoot is arranged.

If the original "Painted Skin" is a horror story, then the current script is obviously a complicated love story.

You love me but I don’t love you, I love him but he doesn’t love me…

A group of infatuated men and resentful women, trapped by love.

It may also be that he has handled too many good scripts, and Hao Yun does not think that "Painted Skin" is a very outstanding script.

The plot has been made even more clichéd from the original bizarre one.

Then there is the worldview.

The ones that have done relatively well in this regard are probably "Journey to the West" and "The Lord of the Rings".

For example, movies such as the "Lord of the Rings" series, which have won both box office and critical acclaim, are all supported by a complete worldview, with extremely sophisticated characters, stories, customs, language and culture, social forms and world history.

However, there are not many IPs like this, and most movie plots are often disconnected from the worldview they construct, lacking integrity and rigor.

Although the content of a world view may not appear entirely in the film's plot after it is used for filming, it will affect the film's visual elements and various aspects of realism.

"Painted Skin" also faces similar problems.

Therefore, Hao Yun still needs to continue to improve it, this script can only be considered a semi-finished product.

Otherwise it could easily become a bad movie.

However, this kind of fantasy film seems to be more suitable for Xu Ke. Xu Ke's "A Chinese Ghost Story" can almost be said to be an insurmountable classic of the Liao Zhai IP.

Hao Yun remembered that he and Xu Ke had an agreement.

As a screenwriter, he came up with a script, and Xu Ke was asked to direct it, and they worked together to make a movie.

Xu Ke is a relatively special person among the many super directors in Hong Kong.

As a director, especially a famous director, forming your own style system can be said to be a basic skill.

Just like when you see the shaky frame-drawing camera, flashing neon signs and a fashionable retro girl, you know it is Wang Jiawei, and when you see a nonsensical crazy beauty, you guess it is Zhou Xingxing.

They all have their own "cooking method" that they are good at. They know how to cook each ingredient, what seasonings to add, and then create their own flavor, which makes people know that it is his work at first glance.

Xu Ke is good at action design and actor training, especially the women in his lens, they are really amazing.

Lin Qingxia's Dongfang Bubai, Wang Zuxian's Nie Xiaoqian, Zhang Manyu's Jin Xiangyu and Xiaoqing, Guan Zhilin's Thirteenth Aunt, Yang Caini's Zhu Yingtai, Zhang Baizhi's Gu Yue...

It is a very special kind of beauty, which is revealed to the audience through the movie and brings great visual shock.

Even to exaggerate a little, women in Xu Ke's films are not only a bright spot, but also half of the country!
Hao Yun really wanted to learn from Xu Ke.

His growth path is to learn from the strengths of many schools, learn unique skills from different directors, and finally form his own unified style.

As long as he integrates more and is not really schizophrenic, he will sooner or later develop his own characteristics.

Now the question is, according to Hao Yun’s original plan, he will stay in the mainland until the filming of "Disciples" starts.

Use this time to discuss "Let the Bullets Fly" with Jiang Wen and record a new album.

But now I have a script that I need to discuss with Tsui Hark, and my mind is full of inspiration, so there is no need to wait for the filming of "The Disciples" to start before going to Hong Kong.

Lest the inspiration expire and fade away.

Hao Yun immediately packed up some things and flew directly to Hong Kong with the fake Taoist priest.

After Jiang Wen was notified by phone, he was so angry that he wanted to curse.

Bullshit, you want to talk to Xu Ke about the new script. As soon as you stick your butt out, I know what shit you are up to.

It's simply shameless.

nausea!

There is still more than half a month before the filming of "The Disciples" starts, so they definitely cannot send anyone to pick up Hao Yun, nor will they arrange a hotel for Hao Yun.

Fortunately, Hao Yun was not alone here. An Xiaoxi sent an assistant to pick him up.

"Did the filming of 'Tracking' go smoothly?" Hao Yun did not refuse An Xiaoxi's kindness. For a star of his level, it would be too undignified to fight like that.

"We've only been shooting for two days, and only a few scenes." The assistant was a little reserved.

"Did Du Qifeng curse anyone?" Hao Yun was very straightforward.

"I cursed him, but then I apologized." The assistant didn't want to gossip about the bosses behind their backs, so he stated the situation as straightforwardly as possible.

Du Qifeng is used to scolding people, and he will scold everyone on the set.

After scolding her, he realized that An Xiaoxi was not the Hong Kong star he often worked with. Not only was she one of the film's investors, but she also brought in more than 1.6 million Hong Kong dollars in advertising sponsorship after joining the crew.

If he runs away after being scolded and crying, they will have to comfort him.

So, after scolding, I quickly explain that this is my working style, I have too high expectations of you, etc.

"It seems I have to stay on the set for a few days." Hao Yun sighed.

He was the one who protected An Xiaoxi, and he was also the one who introduced her to the crew of "Tracking". He was always scolded by Du Qifeng, which hurt his face.

He had to help An Xiaoxi get into the state on the spot.

If necessary, you can help take some photos of the properties.

Hao Yun did not go to the hotel, but went directly to the set, where he happened to meet Du Qifeng explaining the play to An Xiaoxi.

This section is her scene with Ren Dahua.

It was obviously a NG that led to Du Qifeng coming into play, otherwise You Naihai would have handled it.

"Let's start. We'll talk about it later if there's anything." Du Qifeng glanced at Hao Yun who was coming over, and did not give Hao Yun face to pause the filming.

Because I can take a break after shooting this scene.

Hao Yun didn't go over either. He greeted Aunt Liu and watched An Xiaoxi acting with Ren Dahua under the direction of Du Qifeng.

Ren Dahua sacrificed a lot for this movie.

It is said that it has gained weight and looks like it is almost catching up with Fat Snow.

This time when they started over again, An Xiaoxi performed well. At least the director didn’t call for a stop, and the first shot was passed directly.

An Xiaoxi breathed a sigh of relief quietly.

The first two days were basically spent on filming her scenes, and Du Qifeng and You Naihai needed her to adapt to the atmosphere of the movie.

It can also be said that it adapts to the film style of Milkyway Image.

For this role, An Xiaoxi recently watched all the movies of Milkyway Image, dressed up in disguise, and took several bus trips to find the feeling of observing everything.

The previous shot was NG three times in a row, which is a big problem for the Hong Kong crew who emphasizes quick decisions when filming.

An Xiaoxi was unsure, but the moment she saw Hao Yun appear, her heart quickly calmed down. She didn't expect that she could meet Du Qifeng's requirements so smoothly.

Aunt Liu was talking to Hao Yun in a low voice.

She was also surprised that Hao Yun came to Hong Kong more than half a month in advance, and thought something had happened.

"I'm working on the script with Xu Ke. We've finally made some progress in the past two days. It's hard to explain it over the phone, so I might as well come here and talk to Xu Ke in person." Hao Yun was very calm, as this was one of the purposes of his trip.

Other things include having dinner with the movie king, Boss Yang.

"So fast." Aunt Liu was very surprised. This kid must have written five or six scripts a year.

But this kind of thing is not too outrageous.

"A Chinese Odyssey" was written and filmed in 27 days; Li Lianjie completed the script of "Fang Shiyu" in 5 days.

And there is Du Qifeng in front of us. He only took 19 days to shoot "Gunfire" and the script was written on the spot.

Wang Jing filmed "The Demon Cult Leader" in just 7 days in order to release it on the designated date. Because Li Lianjie had made too many films of the same type in those years, the box office of this film was mediocre. As a result, we still haven't been able to wait for Zhang Wuji to go to Dadu to find Zhao Min.

In everyone's opinion, screenwriters rely on inspiration.

When inspiration comes, it's like diabetes insipidus, which can't be suppressed. It's not uncommon to write three books in a month.

"There are a lot of things that need to be discussed, so I may stay in Hong Kong for the time being. Oh, Liu Furong has a house that is vacant, and I will stay there for a while."

Since they were already in a cooperative relationship, Hao Yun did not reject Liu Furong's kindness this time.

(End of this chapter)