This actor just wants to verify.

Chapter 506: Not Even as Good as a Dog (asking for monthly votes)
When An Xiaoxi came back for dinner in the afternoon, she saw Heimi and Heidu's family.

An Xiaoxi came here first by plane and then by car, and these animals could only be transported here by car.

An Xiaoxi was sitting on the stone mill in the yard, eating from a bowl, looking very relaxed and comfortable.

Several small animals were acting coquettishly around her.

They are all very smart and know who to please in order to live a more comfortable life.

When the clouds on the horizon gradually turned red, the car carrying Hei Nu arrived.

The several pets rewarded by the system finally had a reunion.

Hei Nuo was sent to Shandong by a special car from Hengdian. After the long journey, she seemed to be a little carsick, so she was not in a good mental state and stood listlessly under the big tree at the door.

Besides, it just couldn't muster up any energy without the beauties at the equestrian club.

Who stipulates that it will definitely like pastoral life?

He likes to be ridden by beautiful women, and all the happiness in his life comes from this.

At this moment, it looked at a dog chasing a cat with contempt.

As it ran past it, it hissed to scare the two unfortunate little ones.

Suddenly frightened by this big guy, Black Bean and Black Rice fled in a panic.

An Xiaoxi began to educate Hei Nu.

The reason why black beans and black rice were at odds was because black rice had just hit its daughter.

In Hao Yun's eyes, the picture is very harmonious.

He began to explain the scenes to the animals that were acting in the movie.

No matter they can understand or not, if you don’t perform well, don’t expect to make a living.

Hei Nuo is set to be the property of the village. She is unruly and loves freedom. Her specialty is that she can untie various buckles with her mouth, so there is no rope that can tie her up.

The villagers simply stopped tying it up and let it wander around.

There is no logic to the movie. It is more like a paradise where life is peaceful and tranquil.

It is full of irrationality, but the food and scenery can soothe all the sadness and confusion.

The meaning of film is not to escape, hide, or record, but to reshape one's own worldview in an environment beyond imagination and to discover what is truly important deep in one's heart.

So, there is a free-range horse in the village, which can be interpreted in film language.

Hao Yun could even write a paper specifically to interpret this.

This horse represents the heroine's unwillingness to be bound by life.

"Start practicing untying the rope with your mouth these few days. If you don't practice well, you won't be allowed to eat. One more thing, you won't be tied with a rope later. Don't even think about running away. With your appearance, if you are caught, you will either be sliced ​​and boiled, or castrated and forced to plow the fields..."

It sounds a bit alarmist, but it is not impossible.

The movie may be a dream paradise, but the reality of filming is not. If the villagers saw such a horse passing by them, it would be strange if they didn’t catch it and sell it.

"咴咴~"

Hei Nuo spat at Hao Yun. She couldn't accept either possibility.

"Okay, I'll tie three knots on the tree. This is your task today..."

Hao Yun was talking while tying the knot.

When he turned around, he saw that Hei Nuo had directly untied the first knot he had tied, and then looked at him as if he was an idiot.

If he could speak, he would probably start swearing.

Then there are the black beans.

Hao Yun held Hei Dou by the scruff of his neck and told him about his “dog nature”.

In this movie, the black beans were picked up by the heroine from the ditch.

The heroine found it dying.

Then we brought it back, gave it a bath, cleaned its wounds, fed it, and it slowly came back to life.

In addition, Hei Dou is not a Shiba Inu, but a local dog. At any rate, it looks very similar to the iron-clad gold local dog commonly seen in rural areas.

"Come on, act like you're dying."

Hei Dou looked confused, as if he didn't understand what Hao Yun was saying at all.

However, when Hao Yun held its neck, it immediately cooperated by collapsing its body, sticking out its tongue and hanging it on the corner of its mouth, with even its eyes full of drama.

Damn, this acting is pretty cool!

Fortunately, Hao Yun did not get his acting skills, otherwise I would start to doubt my life again.

I'm an actor, but I'm not even as good as a dog.

"Make a pitiful expression and pay attention to your body language..."

Hao Yun tested it again.

Hei Dou acted pitifully without any pressure. Being cute is its survival skill.

It can kill you with cuteness, or make you sick with cuteness.

However, Hei Dou can't act out anything too complicated. It was rewarded by the system, and its IQ is higher than that of ordinary dogs, but not too high.

"Meow~" Heimi ran to Hao Yun's feet and rubbed against them.

Perhaps hoping to have some room to play, Heimi is a very active cat. He is scratching here or there all day long.

The kids in Heidou's family were badly bullied by it.

But if nothing unexpected happens, when the dog grows up a little more, Heimi probably won't have any advantage anymore.

"Go away, it's none of your business. Just act like a cat." Hao Yun ignored it.

He arranged three pets for An Xiaoxi, not to make the movie lively, but to use this method to further show the loneliness of the heroine.

There is a line in the script:
"The colors of the vast fields are beautiful to the heart. In those days when it is so quiet that you can only hear your breathing, you understand that loneliness is life."

This movie uses pastoral life and food to present not healing, but a sense of loneliness.

Its basic tone is that the essence of life or human beings is loneliness.

When choosing a site, we also made the choice based on this feeling. The location of Quanshang Village is at least ten kilometers away from the nearest villages, and it is at least twenty kilometers to the city.

There are mountains all around.

Because of the scattered springs, people live separately near the water and the communication between them is not frequent, which makes it seem like they only know each other but never interact with each other.

There are rarely rows of houses connected together like in other villages.

In this land, people give birth to children, work in the fields, and do housework.

They live and reproduce according to their own living habits, without too much turbulence or too big ups and downs.

We repeat this life day after day, year after year.

Such repetition is essentially a kind of loneliness.

Based on her lonely life, the heroine tries hard to add color to her life.

These colors come from the daily vegetables and meals, spring, summer, autumn and winter.

These can all be called the best tastes in the world.

What is the best thing in the world? It is the bond between you and life, the interaction between you and the things and people that come and go in your life.

Hao Yun has no intention of promoting how wonderful the countryside is.

He came from a rural background and knew better than anyone that rural life was not good.

The movie peels off the outer layer of pastoral life and actually reveals the core spirit of the heroine's self-salvation.

This core spirit is wrapped in various bonds such as food and friendship before it is cooked into a pot of "good soup".

This pot of delicious soup is the most delicious thing in the world.

So, this is a movie about loneliness and growing up.

It’s not that it has no core, it’s just that its core is shallow and hidden deeper.

The last person to be told about the play by Hao Yun was An Xiaoxi.

She squatted among a group of animals, listening to Hao Yun's teachings, but she was not a small animal.

The next morning, a launch ceremony was held in the open space at the entrance.

Everyone in the village came to watch the fun.

From an 80-year-old paralyzed old man to a one-month-old baby in swaddling clothes, everyone watched these city people "worship the gods" as if they were watching a big show.

In addition to behind-the-scenes staff such as Hao Yun and Cao Dun, there are also several actors.

Persimmon is played by An Xiaoxi, and the original name was slightly changed by Hao Yun.

There happened to be a few persimmon trees at the entrance of the yard, and they were already full of red persimmons. The crew members had eaten a lot of them in the past few days.

Zhuzi is played by Hao Yun, who is the heroine's childhood friend. After failing the college entrance examination, he returned to the village and became a primary school teacher in the village.

When the heroine lived in the village, he often helped with work.

The mother is played by Ms. Liu.

This role doesn't have many scenes, but it is very important.

Although he is a villager, there is no need to act like one. After all, this is a movie that does not follow realistic logic.

The heroine’s best friend is played by Wang Jia, the class leader of Hao Yun, An Xiaoxi and others.

She is not particularly pretty and her development is just average.

She once helped Hao Yun record class content, and Hao Yun never forgot this favor. Supporting roles like this usually give her opportunities.

There are some other characters who appear in the film. Hao Yun gave the villagers a chance, and there are also people in the crew who are going to make guest appearances.

Under the villagers' curious gazes, Hao Yun led everyone to solemnly worship the camera covered with a red cloth.

The children in the village were watching the excitement and they knelt on the ground and kowtowed to the camera from a distance.

It seems that there is something very extraordinary hidden inside.

(End of this chapter)