This actor just wants to verify.

Chapter 471 "Those Years" Celebration Banquet (asking for double monthly tickets)
The Book of Rites says: "Ritual ceremony begins with the wearing of the cap."

Coming of age ceremony is one of the traditional customs of China. Generally speaking, men "wear a cap at the age of 20 and begin to learn etiquette", while women "wear a hairpin at the age of 15 and get married at the age of 20".

Of course, the current Civil Code stipulates that men may not marry before the age of 22, and women may not marry before the age of 20.

Unlike before, when a young man was not allowed to marry an old woman, and an old man was not allowed to marry a young woman. If a girl did not marry at the age of seventeen, her parents would be guilty; if a man did not marry at the age of twenty, his parents would be guilty.

An Xiaoxi's coming-of-age ceremony - which was actually her eighteenth birthday, and I don't know why, but nowadays when we talk about coming-of-age ceremony, there is always a slight sense of vulgarity, as if we are packaging something and giving it to someone - was held together with the celebration party for "Those Years".

The main purpose of this event is still a celebration banquet.

A red carpet was laid outside the venue, with box office receipts for "Those Years" from various places hung on both sides.

The mainland box office was 1.11 million yuan.

The box office in Taiwan was NT$4.5 million, equivalent to RMB 1.02 million.

The box office in Hong Kong was 6386 million Hong Kong dollars, equivalent to 6896.88 million RMB.

The box office in Singapore was 226 million US dollars, and in Malaysia it was 139 million US dollars, totaling 365 million US dollars, equivalent to 2956 million RMB.

Neon box office was 8 million yen, equivalent to 5960 million yuan.

Bang Bang box office was 18.8 billion won, equivalent to 1480 million yuan.

In addition, there are some small places, such as Siam, etc., where the box office revenue is average, about a few hundred thousand dollars.

According to statistics, the global total box office of "Those Years" is 3.8 million yuan.

This number makes countless big directors envious and jealous.

Who would have thought that "Those Years" would not only be a huge hit at the domestic box office, but also at the overseas box office.

It’s not that people don’t care about the overseas box office, but that they simply can’t take it seriously.

Generally speaking, overseas copyrights are sold directly, and it is a one-time deal regardless of the final box office performance.

For example, "A World Without Thieves" had no overseas box office at all, because it was not released on a large scale overseas. It was only shown in small theaters for a while, but the response was not that good so it was completely abandoned.

At least a buyout can guarantee a stable income, but the box office share is even worse.

Those who are unfamiliar with the place are very likely to be cheated and not even be able to recover the issuance costs.

With the participation of Huaying Film Group in the investment of Those Years, Lin Jianyue from Hong Kong and Yang Dengkui from Taiwan, and the fact that the film does have a market, it was able to achieve the current results.

Envy is admiration, but it is highly unlikely that others can imitate it.

At around five o'clock in the afternoon, the guests were arranged to walk the red carpet.

Judging from the feedback Hao Yun received, most of the people who received the invitation to the celebration banquet for "Those Years" will attend. Some are in a hurry to come, while some have already stayed in the arranged hotel to rest.

Basically, they are producers, creators, and everyone’s good friends.

Because the budget was sufficient - a huge sum of two or two million or three hundred thousand, the venue was chosen to be very grand, with forty or fifty tables set up, intending to put a perfect end to "Those Years".

There were countless media on both sides of the red carpet. This time, the celebration banquet did not reject the media, nor did it need to spend money to invite the media.

The media will flock to movies that are box office hits.

The film's main creators, including Hao Yun'an and Xiao Xi, as well as one of the film's own people like Jiang Wen and Zhou Yun, walked onto the red carpet as soon as possible.

As hosts, they were the opening guests on the red carpet of the celebration banquet.

Jay Chou and Guanxi Chen also came.

"Initial D" had a box office of 7500 million in mainland China, which is a bit far from exceeding million, and the single-day box office in the later period has fallen below . There is really no point in postponing the release, so it was completed a few days ago.

The box office of this movie is actually not low, with 4186 million Hong Kong dollars in Hong Kong.

In the Hong Kong film market, which is already on the decline, this is definitely an achievement worth showing off.

It's still being shown in Japan, and the estimated revenue is between 600 million and 800 million yen.

What is really outrageous is the box office in Taiwan. In Jay Chou's home base, Taiwan Province, the box office of this movie only grossed NT$6800 million, which is not even close to the NT$4.5 million of "Those Years".

This result is shocking.

It seems that Jay Chou can no longer be so arrogant.

The awkward relationship line makes the reputation of "Initial D" far behind "Those Years". In other words, even without Jay Chou, Hao Yun's "Those Years" would not have a bad box office performance in Taiwan. Audiences in mature markets are obviously more likely to be attracted by the plot of the movie rather than one or two stars.

In addition, "Initial D" was once caught up in the news of "box office" fraud.

At first, there were media reports that "Initial D" falsely reported the box office.

The incident originated from the fact that one week after the film was released, the distributor announced that the film's box office was as high as 3500 million, but statistics from the Film Special Fund Office indicated that the total box office of the film in the first seven days was around 2100 million yuan. This difference of 1000 million became the focus of the media.

As there is no complete computer ticketing system in the mainland yet, box office data is submitted by each cinema to the theater chain company and then to the distributor.

During this period, there will inevitably be differences.

For example, it cannot be ruled out that cinemas will underreport their box office figures, which would result in less money being paid to distribution companies.

On the other hand, film distribution companies may over-report the box office in order to prove the film's appeal and win more audiences.

In response to doubts about the film's box office, the distributor of "Initial D" issued a statement on Sina.com, saying that the box office market of "Initial D" has far exceeded the normal effect of ordinary movies.

Anyone who thinks that Initial D's box office is underestimated now shows a lack of confidence in the Chinese film market. In fact, the box office of Initial D is still in an incredibly high stage of continuous increase.

As it turned out, "Initial D" did not disappoint.

Its performance is worthy of the title of the hottest movie of the year - provided that it is not compared with "Those Years".

"Initial D" held a celebration party in Hong Kong some time ago, but the scale was relatively small and only the main creators and some media were invited.

If it were held in the mainland, Hao Yun would definitely go.

Generally, celebration parties for movies are held during the release period and serve as a means of promotion.

If some movies are a little shameless, they can even hold two or three celebration banquets within a month of their release, claiming that the box office has exceeded 10 million, 30 million, or 50 million... As long as they want to brag, they can always find something to promote.

Only Hao Yun's "Those Years" was not started until after its release.

Apart from some lively celebrations, it has no impact on promoting the box office.

However, Hao Yun insisted on holding a celebration party after the release. He now has the confidence to speak, and the other producers are helpless and can only complain in secret that this kid is now too powerful.

In order to pick up girls, he doesn't care about his uncles or aunts at all.

A group of people took various photos on the red carpet, including Ning Hao, Huang Bo, Wang Shunliu, Zhang Songwen and others.

In order to attend the celebration party for "Those Years", "Crazy Stone" was no longer crazy, and the work there was completely stopped. Ning Hao had to wait until he attended the celebration party before rushing back to continue filming.

Not only was the production of "Crazy Stone" suspended, but Jiang Wen also brought Zhou Yun with him.

The Apprentice grossed 3.8 million, so he definitely had to show up.

During the period when "Those Years" was released, no one dared to deal with Hao Yun.

Even Song Zu, who doesn't know the consequences of his own life and dares to make up any rumors to attract attention, only dares to say that An Xiaoxi is a deformed person, and does not dare to say that Hao Yun is a mental patient.

At the very least, there is a certain market for saying that Hao Yun is mentally ill.

Now that "Those Years" has ended, even if I will continue to cooperate with the big guys in the future, there will definitely be so-called cultural people who will start spitting on Hao Yun. If I don't kill you, I will just disgust you.

Even those big guys don't want Hao Yun to be too clean.

If it's too clean, you don't need them.

It is also not convenient for them to have more say in subsequent cooperation.

At this time, the only big boss who could support Hao Yun wholeheartedly and without reservation was his uncle Jiang.

With Jiang Wen here, we can’t defend against villains, but the strong winds and waves are very effective.

Because most of the people who can create a big storm have met Jiang Wen every day, so they have to give Jiang Wen some face.

Uncle Jiang abandoned his pregnant wife, hugged Hao Yun and stood in front of the media, allowing people to take pictures of them. Later, he also invited old man Xie Jin to come over.

The three of them stood aside one by one.

Many media outlets were pressing shutter buttons like crazy; they felt that such scenes were extremely rare.

If Hao Yun becomes more successful in the future, this photo of three generations of master and apprentice will be a kind of film heritage with a strong sense of history.

(End of this chapter)