This actor just wants to verify.

Chapter 398 Bullfight (asking for monthly ticket)

[Congratulations to the host for receiving the certificate of "The First China Film Directors Association 2004 Annual Award·Young Director of the Year", which can store 350 attribute points]

[Congratulations to the host, you have obtained the certificate treasure box (medium quality)]

【Open the treasure chest】

[Congratulations to the host for opening the certificate treasure chest (medium quality), and obtaining director +5 (permanent), the script "Bullfighting" (adapted from "The Story of Eight Route Bulls" by Zhao Dongling). ]

Bullfighting?

And in the original novel, it appears to be a cow, not a bulldog.

Hao Yun only knows about cockfighting and dog fighting.

How do bulls fight?

However, it seems that I have heard that many villages in Southeast Guizhou hold bullfighting competitions at selected dates every year or on important festivals.

Hao Yun was completely confused by the script.

But as long as he had the script, he really didn't want the thesis anymore.

If a membership card can have a paper, then with so many organizations in the entertainment industry, both official and unofficial, it should not be a problem to compile a hundred or so membership cards.

Other awards with higher value should include the Actors Guild and the Screenwriters Guild. Given the weight of his Golden Horse Award for Best Supporting Actor and Cannes Best Screenplay Award, these associations will probably contact him soon even if he doesn't take the initiative to join.

At this time, the system comes out to join in the fun.

This means that you can only get one membership card, just like the real estate certificate.

Well, it turns out that batch swiping of certificates is not allowed, which allowed the host Hao Yun to ascend on the spot.

After the Best Young Director of the Year award was presented, other awards began.

Best Actress Award: Zhou Xun.

Best Actor Award: Li Xuejian.

Lifetime Achievement Award: Wu Tianming.

The Box Office Director of the Year Award went to Zhang Yimou for "House of Flying Daggers."

The fifth-generation director Tian Zhuangzhuang won the biggest award - Best Director of the Year for "Dram".

After that, there will be a cocktail party.

In Hao Yun's opinion, the cocktail party was prepared just to make it easier for him to gain advantages.

There are too many attributes to use up, and you can never use them all. 200 points of attributes can last for 20 minutes. If you don't shoot repeatedly, you can only use three times in an hour.

If you shoot non-stop for 24 hours a day, you only need 72 copies.

Therefore, Hao Yun had to apply several attributes to his body at once, in order to forcibly digest these temporary attributes.

Taking more copies will definitely produce better results than taking just one.

For example, the camera techniques in a certain section, if only Zhang Yimou's attributes were captured, then that would be Zhang Yimou's experience and ideas - just some experience and ideas, and it couldn't be as strong as Zhang Yimou's possession.

But if we filmed Gu Changwei, Lu Xuechang, Jiang Wen, Ma Dagang, and Zhang Yimou individually...

That is the collision of five people's experiences and ideas.

Can you imagine having five people in your mind discussing a problem with you?

The key is that they don't speak in order and logic, but instead use arguments and quick responses to overwhelm your cognition.

For an ordinary person, if he is not shot in the head, he will at least become mentally ill.

Hao Yun has gradually become accustomed to this kind of washing. Not only is there no look of pain on his face, but he can also interact frequently with the big guys with a smile on his face.

During the seminar, only directors attended.

No matter how big your status as an actor is, like Liu Furong or Li Xuejian, you are not qualified to attend their seminars.

There are no such restrictions at cocktail parties.

Actors and directors can communicate happily together, find directors they want to work with, and obtain the resources they want.

Hao Yun, the up-and-coming director, still has a lot to prove himself.

But his potential was obvious, and he could even write his own scripts, so even Li Xuejian was friendly to him.

Maybe one day I’ll write a script that suits me.

Hao Yun collected several large-value acting attributes and secretly kept them in the certificate - as long as he had the certificate, he didn't have to carry it with him, otherwise he would probably have to carry a bag like the old lady who buys vegetables.

It was a pleasant surprise to be able to meet Li Xuejian, one of the three most famous movie stars today. Hao Yun even lost interest in the room full of big directors.

What’s hateful is that Zhou Xun actually came to talk to him.

Don't think that you can rule the party just because you have a nice face. Your butt and balls are not that good.

"Is your Hei Nuo still in Hengdian now?" Zhou Xun came to ask Hei Nuo.

I don’t know whether riding Hao Yun is comfortable or not, but riding Hei Nu must be very comfortable and exciting.

Anyway, Zhou Xun fell in love with horse riding because of Hei Nuo. Unfortunately, she met such an amazing horse like Hei Nuo when she was a novice. She changed several horses at the horse farm in the capital, but all of them seemed inferior to Hei Nuo.

"I was planning to bring it to the capital last year, but I was busy filming in the south and didn't bring it. I'll check back later." Actually, Hao Yun was filming in the south and had no time to see Hei Nu.

He always takes leave and always has to catch up with the progress.

In addition, the three crews of The Condor Heroes were filming together, so there was no time to spare. "Are you and An Xiaoxi really together?" Zhou Xun suddenly asked.

"What?" This made Hao Yun, who was eager to get rid of Zhou Xun and wanted to take advantage of other people's attributes, a little confused.

It’s not that Zhou Xun doesn’t have acting attributes for him to exploit, in fact, not only does she have them but they are quite a lot. The problem is that the acting skills that are exploited from female stars are not so compatible, unless Hao Yun is going to play a eunuch, or some other cross-dressing man.

"Rumor has it that something's going on between you two." Zhou Xun said mysteriously.

"What nonsense! How is that possible?" Hao Yun flatly denied.

"Then why do you only write songs for her? If you are not interested in her, then write one for me as well. If you are interested in her and want to pursue her, then I won't hold you back..."

Zhou Xun has no shortage of movies to shoot, what she lacks is a good song that suits her.

In 03, the song "Watching the Sea" won the 11th China Song Chart Annual Golden Melody Award, and was considered the most popular song of the year.

However, the new album prepared this year is much worse.

"Sister Xun, you definitely misunderstood. I even wrote a song for Zhang Jingying. Why didn't you say that I was pursuing Zhang Jingying? When I have feelings for you and think of a song that's suitable for you, I can also write a song for you." Hao Yun didn't think he could write a song suitable for Zhou Xun.

This girl's voice is really unique.

"Zhang Jingying, oh, that song 'Fleeting Time', is quite nice, but that's the theme song of your new movie, so it doesn't count as a song you wrote for others. So far, you have only written it for An Xiaoxi." Zhou Xun was not easy to fool, it's not like she had never had contact with An Xiaoxi. She was one of the few who knew that An Xiaoxi's record contract was signed with Hao Yun.

You call this no situation?
"Sister, can you imagine yourself singing "Sakura Grass"? " Hao Yun said slowly.

"Fuck!" Zhou Xun was almost disgusted by himself.

After the cocktail party, Hao Yun did not leave the capital immediately, but instead asked Feng Yuanzheng to have a chat.

He saw the newly acquired papers and scripts in the car.

The paper "On the Thematic Content and Aesthetic Style of Jiang Wen's Films" may seem like a flattery, but in fact it is a pure academic paper.

The writing is quite good, with more than 10,000 words, and basically all of them are useful stuff.

As for the script "Bullfighting".

The system has already marked this when awarding the award, and this is an adapted script.

Hao Yun has not read the original novel, so he doesn’t know how big the adaptation is.

However, if you want to publish this script, you must first buy the adaptation rights of the novel.

If Zhao Dongling refused Hao Yun to adapt his novel, the script would be completely ruined.

Of course, for novel authors, adapting a script is a sublimation of their work both from a commercial and artistic perspective. As long as you don't make random changes, most authors are willing to authorize it.

From a purely script perspective, this script is pretty good.

It is also the kind of art film that Hao Yun particularly wants.

These days, due to rampant piracy and too few theater screens, commercial blockbusters have limited room to survive.

No matter how well you shoot a movie, it’s impossible to make hundreds of millions at the box office.

Hao Yun's expectation for "Those Years" is to earn 200 million in the mainland and million in Hong Kong and Taiwan, plus other income, so that investors can have a "small profit" of %.

On the contrary, for art films, as long as the script is good enough to win awards and the costs can be well controlled, gaining both fame and fortune will not be a problem.

This time, Hao Yun approached Feng Yuanzheng in order to finally confirm the schedule. The filming will start in April and will probably end in July or August.

Hao Yun has asked Ning Hao to start preparing for this new movie.

Since Lao Gao was the production director of The Return of the Condor Heroes and was unable to spare the time, Hao Yun had to find someone else to help. He had extensive connections in the entertainment industry, so these were minor problems.

"Teacher Feng, don't force yourself. Although this role is very suitable for you, it is not only not good for your transformation, but it is a step backwards. If you can't accept it..."

Hao Yun said hypocritically.

In fact, what he feared most was that Feng Yuanzheng would say, "Okay, then I won't act anymore."

Hao Yun really didn't know who to ask to play this pervert.

"It's okay, it's okay. I finally came across a good script. It would be a shame not to act in it," Feng Yuanzheng said with emotion. "Good scripts are hard to come by. You may not come across one in three to five years. Even if you come across one, it may not be yours. Some people wait for a good script their whole lives. I have waited for it. No matter what, I will not give up."

Even if you can't leave the house, you will be beaten if you go out.

"In the future, I will try my best to come up with a script suitable for your transformation, ahem, yes, transformation." Hao Yun said insincerely.

"That's all for the future. Let's do the current things first. I've been in contact with a lot of students studying music recently, as well as teachers from the music academy. I'm also learning to play drums, but I'm not very good at it..."

Feng Yuanzheng has been preparing for this film for several months.

It's not just about memorizing the script. He would go to the music conservatory to audit classes whenever he had time, to see how other teachers taught their students and to feel the atmosphere.

Feng Yuanzheng unexpectedly met a teacher with a bad temper. He communicated a lot of experiences in this regard with the other party, and he had more and more ideas about how to play the role of a perverted teacher.

Although Hao Yun is the screenwriter and director, he is very receptive to opinions.

While discussing the script with Feng Yuanzheng, we were also constantly making changes to the details.

Good movies don’t rely on luck, but on accumulation and polishing.

Hao Yun also talked with Feng Yuanzheng about the idea of ​​premiering "Whiplash" at the Berlin Film Festival.

Of course, this is only a temporary plan, and subsequent choices will be made based on the situation of the three major film festivals.

(End of this chapter)