I didn't want to be an actor
Chapter 728: "Walking Alone on the Moon"
Chapter 728: "Walking Alone on the Moon" (33)
Shen Liang's scenes are scheduled to be filmed next month, and the filming period is only three weeks.
He came to the crew mainly to check out the situation.
Received a grand reception...
Xu Ke is preparing for his next drama, The Legend of the Condor Heroes…
Shen Liang was very curious: "The Condor Heroes is not going to be filmed anymore?"
"I can't make it... the copyright is in Bona's hands, and they have designated the male and female lead, and I don't like it!"
"Who is it?"
"…Huang Jingyu~so strong…"
"What a pity!"
Xu Ke waved his hands: "You don't want to play Yang Guo again!"
“…Without a suitable Little Dragon Girl, how can I play Yang Guo? Besides, the plot of The Return of the Condor Heroes is not suitable for movie adaptation!”
In fact, Bona is not optimistic about "The Condor Heroes"...
Bona is really not optimistic about Xu Ke's "The Return of the Condor Heroes", which is understandable. In recent years, every martial arts movie he made has lost money...
But why are you optimistic about Hu Mei's "A Dream of Red Mansions"?
——Bona has taken over the distribution of "A Dream of Red Mansions: A Perfect Match"...
"Let's not talk about this anymore," Xu Ke waved his hand, "I watched New Journey a few days ago, it was pretty good!"
"...Not bad..." Shen Liang changed the subject: "The day after tomorrow, 'The Lone Moon' will premiere. Can we go together?"
“‘Alone on the Moon’… is it also a science fiction film?”
“Well, the level of special effects is pretty good!”
"Okay, let me see."
……
Logically speaking, Xu Ke should not be interested in the story of the stupid kid!
The characters he is more interested in are: Sun Wukong, Dongfang Bubai, Green Snake, and Jin Xiangyu.
If there are any characters in "The Legend of the Condor Heroes" that make his eyes light up, they are Huang Rong, Huang Yaoshi, Mei Chaofeng, and even Ouyang Ke.
Guo Jing's character growth line is too simple, basically a straight line, with only the increase and decrease of his skills, rather than the growth and transformation of his soul.
As I said, there is never an optimal solution for adapting Jin Yong's novels into movies.
Chang Cheh, a director during the "New Century of Martial Arts" period, described Jin Yong as "a calm and profound person, and his works are like the Yangtze River." The hero's growth story told in the length of a novel is of course more suitable for adaptation into a later television series.
However, the highly praised Jin Yong movies are often far off the topic, such as Wong Kar-wai's "Ashes of Time" and Tsui Hark's "Crouching Tiger, Hidden Dragon". The director and the audience were delighted, but the original author was furious because they were selling dog meat under the guise of mutton.
Will Xu Ke’s new “The Legend of the Condor Heroes” create another classic character like Dongfang Bubai?
Not likely anymore.
It is said that the tolerance rate is getting lower and lower nowadays. Not only have the stars lost their brilliance and become more blurred, but the characters in movies have also become boring.
The larger the investment, the less likely it is to allow protagonists in controversial spaces to exist; safety in production comes first!
Therefore, the main investor of "Shushan" is Shen Liang!
The villain BOSS is actually the protagonist, which is very controversial.
As for The Legend of the Condor Heroes, it should be for the 100th anniversary of Jin Yong’s birth…
There must be a work to commemorate it - Tengxun Video made "Jin Yong's Martial Arts World", which directly split "The Legend of the Condor Heroes" into five units, a total of 30 episodes. "Iron Blood and Red Heart" is level , and the remaining four units are: "Ashes of Time" with Huang Yaoshi and Ouyang Feng as the protagonists, "Southern Emperor and Northern Beggar" about Master Yideng and Hong Qigong, "Nine Yin Manual" about the group portrait story of Peach Blossom Island, and "Swordsman on Mount Huashan" with the "Five Wonders" as the main characters.
"Ashes of Time", "The Emperor of the South and the Beggar of the North", and "Nine Yin Scriptures" all have 8 episodes, and "Swordsman on Mount Hua" has 6 episodes.
Five directors were hired: Xu Bing, Deng Ke, Cao Dun, Zang Xichuan and Yang Lei!
Then... "The Legend of the Condor Heroes" didn't perform well, so the next four series were not aired.
Xu Ke filmed the movie version…
The male lead was Xiao Zhan, and the female lead was Zhuang Dafei...
This movie will definitely be mediocre, unless it is changed to make Ouyang Feng a beautiful girl from the Western Regions. When Guo Jing was guarding Xiangyang, she was moved by him and not only fought alongside him, but also had a triangle relationship with Guo Jing and Huang Rong. When Huang Yaoshi saw that his beloved daughter had a rival in love, he challenged Ouyang Feng, and they fought and fought. The two of them sympathized with each other and became good friends. In the end, Ouyang Feng changed his name to Ouyang Nana... Although this is bound to be a bad movie, at least it's crispy on the outside and tender on the inside!
Never mind, I just wrote this...
……
"The Lone Moon" was screened for two days, with a 2.7% share on the first day and a box office of 2176 million, taking away the single-day box office champion of "New Journey" - 1600 million...
At this time, "New Journey" has been released for 34 days, with a cumulative box office of 34.6 billion...
The next day, July 7, "The Lone Moon" had a 28% screening schedule and a box office of 24 million...
Everyone knows that the big-budget blockbuster is coming!
Oh, "Lone Moon" was released nationwide on July 7, and directly took up 28% of the screenings.
There is only 9% of the screening time left for "New Journey"...
8% of the screenings for "The Detective"...
Back to the premiere, "Lone Moon" is indeed an industrial production.
To be honest, before the release of "Lone Moon", no one could have imagined that the third salvo of China's heavy industry science fiction films would be fired by Happy Twist.
95% of the shots are special effects, and the lunar base is built in a one-to-one real scene, which is indeed heavy industry!
Happy Twist’s base is so strong that the box office of its major films every year starts at 2 billion.
The only companies in mainland China that can afford industrial production are Happy Twist, apart from Guo Fan, Shen Liang and Wu Jing.
However, "The Lone Moon"... the plot is quite fragmented, and the overall style is more like a serious drama, especially in the latter part.
But it lacks depth. If it were a pure comedy without depth and only praising love and friendship, it would be acceptable. But a large amount of space was used later to raise it to the level of a serious drama. If it does not have a slightly deeper and non-clichéd core, it would be extremely difficult to accept.
A large part of the touching feeling brought by the film is the empathy brought by the actors' performance, rather than the plot, design and concept. There are many different emotions in it, the emotions of mankind as a whole, the emotions of the male and female protagonists, the emotions of the male protagonist King Kong Rat, etc., but if there are too many descriptions, it will lose focus and become very scattered. There are many emotions, but none of them is profound.
The serious content accounts for too large a proportion, which compresses the duration of the comedy and results in the failure to reach the climax of the comedy conflict...
The jokes throughout the entire article are too isolated, similar to the forced comedy in the Spring Festival Gala skits, which are scattered and isolated and not natural enough.
Some of the jokes are even a little awkward - comedy awkwardness means that we know the director wants us to laugh at this point, but we can't, which means that some of the jokes are failures.
In terms of comedy, it is slightly inferior to Shen Teng's other works.
Zhang Chiyu and Song Yang are still not as good as Yan Fei and Peng Damu.
"The Shameful Iron Fist" was written and directed by Song Yang and Zhang Chiyu. The two developed separately. Zhang Chiyu directed "The Lone Moon" and Song Yang directed "Superpower Family"...
Back to "Lone Moon", it is precisely because of this split that the audience felt awkward when Lone Moon decided to sacrifice himself in the end...
Shen Liang said: "It's pretty good. I really admire Brother Teng. At this stage, the only middle-aged comedy actor in the world who can carry a box office of 400 million US dollars is Brother Teng. Adam Sandler and Jim Carrey in Hollywood don't have such appeal!"
Shen Teng quickly waved his hands: "Oh, I'm flattered..."
"Mary is indeed the top comedy actress...Shenma is the best team in the world..."
Mary: "Thank you, Brother Liang!"
"I really want to watch the original version of The Richest Man in Xihong City, but without the Taiwanese actress, Sister Mary playing the heroine... Can you remake it? If not, send me the script so I can enjoy it!"
"...After this is over, I will ask Yan Fei and Da Mo..."
"So, the script really has been changed?"
Shen Teng was speechless: "Good guy, waiting for me here!"
"Haha..." Shen Liang changed the subject: "However, I still want to ask about Chiyu. In the end, can Dugu Yue's sacrifice to save the earth be changed to King Kong Mouse pressing buttons randomly and blowing up Pi... Absurd saving the world! Because your whole movie is absurd!"
"The kangaroo will be sacrificed..."
"No, I mean at the end, Dugu Yue said goodbye and said some heroic farewell words, and then King Kong Mouse pressed buttons randomly and directly separated Dugu Yue, and then it drove the spaceship and died together with Pi... I am just giving my opinion as a spectator... Of course, I am personally very satisfied with this movie, I give it 7.5 points!"
Xu Ke couldn't help but interrupt: "Only 7.5?"
"I also gave 7.5 points to The Wandering Earth, and I gave 6 points to Watergate! I am very strict in grading!"
(End of this chapter)
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