New Age Artists

Chapter 607: A heavy blow must be struck!
Seeing his father in low spirits, Zhang Mo thought it was a good opportunity.

Zhang Mo said, "I have an alumnus who wants to meet you. You should meet him."

Zhang Yimou asked: "Who?"

Zhang Mo said, "Zhang Zhao."

She attended New York University's film school, as did Zhang Zhao.

Zhang Yimou understood: "Didn't he go to LeTV? It was Jia Yueting who approached me, and I said that the timing was not right, so we won't talk."

"It's a different time now." Zhang Mo said, "They're not here to discuss cooperation or anything. They just want to chat with their own people when they're abroad."

Zhang Yimou was not a three-year-old child, so of course he didn't believe this, but after thinking about it, he said, "Okay, I'll meet them. You can make an appointment with them."

He is a very particular person. Even if he didn't want to work with Zhang Weiping before, he would not meet with Boss Jia directly. Now that things have come to this, it seems nothing to meet him.

Zhang Mo immediately said, "Any time is fine. Just stay at the hotel next to us."

Zhang Yimou said, "Okay, we can talk now."

Lao Mouzi recalled that before his father passed away, he was always worried about his father's cooperation with Zhang Weiping. He said that judging from Zhang Weiping's face, he was not a good person and if they did not cooperate well, he would be retaliated against and he would not be able to deal with him.

The old man lived to be 77 years old. He had been a county magistrate and a soldier. His ability to judge people should not be underestimated. But at that time, the two were in the "honeymoon period" and Zhang Yimou did not take his father's words to heart.

If he really refuses to cooperate, Zhang Yimou will also have to consider his fallback plan, as well as the household registration issue of his children.

Lao Mouzi just didn’t think about this aspect before, but now he does, and he has many information channels.

He had heard of Boss Jia's background. Shanxi and Shaanxi were not far away, and Boss Jia was becoming more and more high-profile.

"Director Zhang, meeting our people in a foreign country is just like meeting our family." Boss Jia was very excited when he received the notification from Zhang Mo and brought his people over.

Lao Mouzi didn’t win the award, but he won the bet.

However, he did not mention anything during the meeting, nor was he in a hurry to bring Zhang Yimou into LeTV. They just chatted.

Even though he knew that Boss Jia had ulterior motives, the fact that he came after him during the Chinese New Year really made Zhang Yimou feel comfortable.

Zhang Zhao did not stay in the room but went out and "happened" to meet Zhang Weiping.

He took the initiative to greet Zhang Weiping: "Mr. Zhang, what a coincidence."

Zhang Weiping didn't react. He looked over, recognized him, and even had the energy to joke, "Are you on a business trip? You didn't go home for the New Year. Boss Jia is going to give you a raise."

Zhang Zhao said "unintentionally": "Oh, don't mention it, the boss will pull it over."

"You, boss?"

"It's Boss Jia."

Zhang Weiping's heart moved, and he had a bad feeling: "Why are you here?"

Zhang Zhao said: "Let's see if there is any chance for cooperation."

Zhang Weiping's tone suddenly turned vicious: "With Lao Mouzi?"

Zhang Zhao seemed to have realized that he had spoken out of turn and denied it, "Who? Not Director Zhang."

Zhang Weiping's heart was filled with alarm: "Where is Jia Yueting? Is he meeting Zhang Yimou?"

Zhang Zhao immediately shook his head: "No, no."

Zhang Weiping was extremely angry. This was a robbery in his own home, and it was done right in front of him!

He ran to Zhang Yimou's room full of anger. Zhang Mo, who was guarding the door, changed his expression and shouted, "You can't go in."

"I can!" Zhang Weiping rushed to the door and pushed aside Boss Jia's security guards: "Get out of the way! I know he's here! Let me in!"

Boss Jia and Zhang Yimou were having a pleasant conversation in the room when they heard a noise outside, mixed with Zhang Mo's shouting of "You can't go in".

Lao Mouzi looked unhappy.

Boss Jia pretended to be ignorant: "What's going on? How about I ask the bodyguard to kick him out?"

Zhang Yimou stopped him: "It's Zhang Weiping."

Sure enough, after the door was pushed open with a bang, the aggressive Zhang Weiping appeared in the sight of the two.

He glanced at Boss Jia and immediately became furious. He strode towards Zhang Yimou, shouting as he walked: "Zhang Yimou, what do you mean! You are going to find a new employer now, have you thought about the consequences?"

Zhang Yimou's expression became even uglier.

In front of outsiders, Zhang Weipin is so disrespectful.

Boss Jia stood in front of Zhang Yimou and said, "Boss Zhang, how can you talk to Director Zhang like this? He is a film master!"

"Who do you think you are?" Zhang Weiping looked down on Boss Jia and said coldly, "You just have some connections, and you dare to act so high and mighty!"

Even though Boss Jia was happy to see this happen and even contributed to this situation, he was still a little upset: "Boss Zhang, what do you mean by this?"

"What do I mean? I should be the one asking you." Zhang Weiping pointed at him and said, "What do you mean by coming to see Zhang Yimou?"

Boss Jia didn't say anything. He glanced at Zhang Zhao who came in, and the bodyguard who followed him in, waved his hand, and pointed back: "Get him out! He is not welcome here!"

"You dare!" Zhang Weiping shouted.

The two bodyguards immediately took action and subdued him in a few moves.

Zhang Weiping's eyes were almost spitting fire: "What do you mean? Zhang Yimou, don't you forget your child?"

Looking at Zhang Weiping being carried out, Boss Jia wanted to laugh.

I didn't expect it to be so smooth.

Turning around, Boss Jia, like an award-winning actor, looked at Zhang Yimou, who was a little embarrassed, and said, "Director Zhang, does Zhang Weiping usually treat you like this?"

Hearing this, Zhang Yimou became even more embarrassed.

The scenery is just right on the other side of the ocean.

The Spring Festival period set a new record, with the box office exceeding 300 million on the first day of the New Year, setting a new historical high of 350 million.

"Lost in Thailand 4" and "Zhao Zilong" both exceeded million yuan.

"Lost in Japan" is the fourth film in the Lost on Journey series, while "Zhao Zilong" has accumulated a reputation as a historical blockbuster, and its action fighting continues the passionate and romantic style of "Emperor Tai Chi".

"Lost in Journey 4" continues the road comedy style and the overall tone remains unchanged.

As a new director, Xu Zheng felt pressure to helm this mature and best-selling series. He achieved overnight success, became famous, and made a stunning turnaround.

If he fails, it will be difficult for someone to give him another chance. The film industry is so realistic, every movie is successful and some are dead.

Maybe because of Shen Santong's old relationship, he can try it again, but such a good opportunity will never come again.

Therefore, in order to reduce the risk, unlike the independent characters in the previous three films, the plot continues "Lost in Thailand", with "searching for the secret recipe of the missing fried pork chops" as the main line.

There are only some changes in his character. Xu Lang has transformed himself into an executive of a food company and goes to Japan to seize the secret recipe of a century-old shop.

Wang Bao is still a popular food blogger. He was tricked by Xu Lang into being a translator. He has watched Yilin and Readers too much, so his mind is full of related stories. In fact, he is a loser who can only speak "Yaoxi" in Japanese.

Gao Bo turned into a black-hearted middleman, assisting on the surface but actually intending to seize the secret recipe.

The three of them are on a high-energy journey in the book.

In "Lost in Japan", Shen Santong still has general requirements.

Given the situation in the circle, it would be easy to make a landscape film without putting forward a general requirement, which would go against the original intention of the Lost Journey Abroad series - to truly reflect a country, rather than glorify it.

Of course, there will also be cultural conflicts between "hon'ne and Kenzen", social problems such as workplace bullying, over-packaging, and regional discrimination, but they are all wrapped up in cultural collisions.

If you have lived in this book, you might smile and feel touched.

Audiences who like to dig deeper will find that this is almost a thriller.

But on the surface it is a comedy of cultural collision.

The Chinese people, who look as if they have never been wronged, do not understand the survival rules behind the mask of hypocritical etiquette. Entering a society where people "read the air" is like pouring water into an frying pan, which has caused many jokes.

The whole process is full of high-energy play with Japanese homophonic puns, using absurdity to deconstruct the class-divided environment of the book.

There is depth hidden in the hilarious moments, and just like a puzzle game, the audience can choose whether to decipher it or not.

Or one day, as public opinion clarifies, everyone will finally realize the truth.

For example, there is a plot in it, a road movie, where the three people keep changing places and meet a Chinese who has worked in Benzi for many years and is about to return to his country. He shares a joke.

I felt that my colleagues were friendly, easy to talk to, and polite. This was a great experience. Then, when I left and returned to China, a group of colleagues got drunk at a party.

The colleague who usually plays best with him pulled him aside and said, "Do you know that everyone hates you?"

"You always offend and bother others intentionally or unintentionally, don't make coffee for everyone, are always unsociable during team-building activities, and need others to accommodate you when you are working."

Inside is a horror story, with everyone wearing masks and silently rejecting.

But I’m a student from Dongda University and I don’t understand these things. I don’t have the boundaries like in the book, so I can’t feel them.

The book also reflects the family's unchanged history over a hundred years.

The three wealthy families in Kanagawa are the Kono family, a large landowner in Hiratsuka, the Okonoki family, a lumber merchant family in Yokohama, and the Koizumi family, a gangster family that made their fortune in Yokosuka by operating a port business.

The Koizumi family was cleansed and came ashore. In addition to Koizumi, there is another company called Yokohama Fujiki Enterprise that started out as a cleansed enterprise. In the words of former Japanese Minister Shizuka Kamei, Suga Kazuehiro is the grandson of the second-generation head of Fujiki Enterprise.

As for larger families, they are more sensitive.

Even these are not pointed out in the plot, for fear of destroying the comedic atmosphere.

Instead, it is buried in the background, and it is up to the audience to dig deeper.

The short story of Yilin and the reader, the cooking fairy, is presented in a joking way.

Who doesn't want to change their fate through studying? But this is not possible in a society with a bookstore.

Shen Santong is not only concerned about "Lost in Japan" as a single play, but the series structure.

Further improve the country series and make it a "serious great power IP" among countries.

To complete the hard-core world history and related country knowledge that are missing on the Chinese Internet.

Don’t be in a hurry to become a “weird little country”, but first become a “serious big country”.

There are many myths about Japan and South Korea in the domestic cyberspace, which is also a huge opportunity.

Some people want to monopolize the interpretation of foreign countries, portraying the outside world as a paradise and transforming themselves into "angels" or "imperial envoys."

The “foreign countries” they depict have such benefits that even the native people of the story’s main characters are unaware of them.

Breaking this monopoly and providing answers outside the Internet and certain media can bring profits beyond expectations.

The performance of "Lost in Thailand 4" also proves the scarcity of normal foreign perspectives.

This book cannot be fully filmed in one go, and there will be other movies that use this book as the background.

The full name of "Zhao Zilong" is "Zhao Zilong: Roar of Changshan Dragon".

The film continues the tone of historical blockbusters, with historical confidence, historical drama as the backbone, and martial arts romantic aesthetics as the wings. Through Zhao Yun's growth process of "from the grass to the legend", it shows the shining idealism in the chaotic times of the Three Kingdoms. The whole film highlights the essence of Chinese martial arts and pushes the aesthetics of cold weapons to the extreme. It not only has the military philosophy of stopping war with force and stopping war with war, but also has the family and country feelings of loyalty and justice, transcending blind loyalty, and the compassion under the gun that the benevolent is invincible, creating an oriental hero image with both human warmth and the spirit of war.

The story structure is also a four-act structure with an easy-to-understand beginning, buildup, climax, and ending.

From the dragon hiding in the abyss, to the dragon fighting in the wild, to the dragon returning to the sea of ​​stars.

Young Zhao Yun practiced spearmanship on a snowy night, with the tip of his spear adorned with pear blossoms, dancing out the “Hundred Birds Paying Homage to the Phoenix”.

During the Yellow Turban Rebellion, he witnessed the miserable plight of the villagers, defeated the bandits alone and rescued a child, showing the initial form of "seven ins and seven outs". He refused Yuan Shao's high position and generous salary, and looked for benevolent and righteous people, showing his loyalty for the first time.

He joined Gongsun Zan with 800 young men from Changshan and met Liu Bei for the first time in front of the White Horse Volunteers. In the Battle of Jie Bridge, he broke Wen Chou's linked horse formation with his knight-errant spear skills. However, he was suspected because Gongsun Zan promoted relatives and fellow villagers. In addition, his brother passed away, so he chose to resign. It can be seen that loyalty is not blind loyalty.

Until he surrendered to a wise leader in Xinye and met in the ancient city, he had a duel with Guan Yu and Zhang Fei under the moon, his Zhangba Snake Spear and Longdan Silver Spear shining in the sky. He fought the first battle at Bowangpo, rescued the besieged women and children from the sea of ​​fire, and created the "偃月阵" to defeat Cao's Tiger and Leopard Cavalry.

Then at Changbanpo, he broke through the Eight Formations with his blood-stained white robe, split the road of life and death with the Qinggang sword, and killed many people together with Adou in his arms, achieving a record of 2 bars and 16, and turned into a fighting dragon.

Then there was the duel at Ganlu Temple, where he used his spear instead of a pen to carve "Han Dynasty Restoration" on the bluestone slab, shocking the officials of Eastern Wu. When he intercepted the river to save his lord, he had a water boat chase battle with Sun Shangxiang, showing the martial arts aesthetics of lightness and wave-dominating.

Sun Shangxiang still uses the same casting as in "Red Cliff", played by Wang Zhi, who collaborated with Wu Jing for the second time after "Wolf Tooth".

Then there was the extraordinary feat on the Han River. Zhao Yun stood alone at the camp gate on horseback, his aura as tall as a thousand-meter-high god of war flickering in the sky under the setting sun. When attacking Cao's camp at night, he created the "Three Nods of the Silver Dragon". After killing hundreds of people, he pointed his gun at the starry sky and said, "This gun is fired for peace in the world."

At the end, he entrusted his son to Zhuge Liang, played by Zhou Jie, in Baidi City and swore an oath in front of the palace that the Northern Expedition would be the cornerstone. The old general challenged five people including Han De and his son, and his silver spear could still dance like a flying dragon.

Fight all your life, never let down your gun, and never change the righteousness in your heart.

Fortunately, I have been able to write a little page in history and live up to the mountains and rivers that I have traveled.

The lobby of BJ's Santong Cinema was bustling with people and there was a long queue at the ticket gate.

Various movie posters are scrolling on the super-large LED screen, and the atmosphere of the Spring Festival is floating in the air.

"Mom, let me see Pleasant Goat!" The little girl with a bun on her head stomped her feet and turned around, wearing a flowery jacket embroidered with auspicious clouds.

She pointed her finger at the "Happy Dragon Year" stand, with Pleasant Goat taking the center position.

"Okay." The parents followed their children's choice.

The audience members at the back were discussing the issue heatedly.

From researching the actual shapes of weapons such as the ring-handled sword and the halberd-shaped halberd from the late Han Dynasty, to boxing and spearmanship, as well as the golden lines, "This spear is not named Liu or Cao, it only stabs the unjust people in the world!" "Where are the disciples of Changshan? Follow me to break the formation!" Wu Jing would shout the latter sentence wherever he went during his roadshow.

"Wu Jing's fight is so beautiful, I have to watch it again."

"The Battle of Changbanpo, from the cavalry battle to the foot battle to the rescue of the lord, was almost done in one go, as smoothly as flowing water."

"Zhao Yun holds a gun and stands alone, showing a sense of oppression from the perspective of Cao Jun, which makes people feel trembling."

"I think the colors are more beautiful, just like watching a Zhang Yimou movie. Zhao Yun's silver-white is very eye-catching in the red of Liu Bei's camp. There is also the dark black of Cao's camp and the dark blue of Sun Quan's camp. The colors are so vivid."

"Lao Mouzi is nothing, just a fool, being fooled by outsiders."

"Santong Entertainment's films are enjoyable to watch, and the ending easter eggs are also very exciting. The Zhao Yun Temple in Changshan, the pear blossoms falling in the hometown ancestral hall, modern children touching the statue of Zhao Yun, and the vivid life of modern people emerging in the reflection of the gun tip, this kind of scene comparing ancient and modern times is very touching."

"Where is Changshan?"

"Zhengding, Hebei. The Dream of Red Mansions was filmed there. There is also the Rongguo Mansion, which was built in the 1980s. The Zhao Yun Temple is also a tourist attraction. I will go and see it if I have the chance."

On the other side, "Lost in Japan" ended.

Audience members, young and old, walked out of the "Lost in Japan" theater.

"It's so funny. After yelling at his subordinates, he immediately puts on a fawning face when facing the customers."

"The auntie tour group violently breaks all Japanese rules, a magical hedge."

"I was tricked by a geisha into drinking some kind of Gyokuro tea for 4000 yen a cup, but it was actually tea from a vending machine."

"Baby follows the experience of readers and Yilin, and has to find toilet water to drink and wash the dishes six times. It's really hilarious."

"The ending is even funnier. In order to obtain the secret recipe for fried pork chops, they found the successor, and then they found out that the same pot of oil had been passed down for three generations, so they were scared away on the spot."

"I met a person from Fukushima in the movie. It's been a year since the earthquake, but the place hasn't started to rebuild yet? I remember the newspaper said that the book taught the whole world a lesson?"

There is a family in one group, including three generations of people, old, middle-aged and young.

Also discussing "Lost in Japan".

The young man recited the lines: "'Here people bow more frequently than they breathe, and even cervical spondylosis requires national medical insurance!' You see he nodded and said 'Hi Yi', which translates to 'Fuck you'."

The middle-aged woman next to him immediately reminded him, "Don't say bad words. But Wang Baoqiang mixed in with that thing, and his dancing was quite funny."

"Mom, that's called a girl group, AKB48, the popular girl group in the book, echoing the Girls' Generation in the first film."

The father who doesn't talk like that said, "I think the cultural comparison is very interesting. Wang Bao was mistaken for a pervert when he was scrubbing his body in public, which led to a fight in the Chinese and Japanese bathhouses. Huang Bo made a mistake in sorting the garbage and was chased by the housewives. In the tram, no one was breathing. Xu Zheng's performance was talking to Wang Bao on his own and was stared at silently by the whole car. It was funny and a little creepy."

He also saw a lot of metaphors.

I caught a glimpse of the chrysanthemum and the sword by chance, and I was looking for a toilet and found the Yasukuni Shrine toilet. There are many things that can only be understood intuitively.

The old grandfather said: "The Japs are two-faced and two-faced."

Many young couples also choose "Those Years" to talk about love.

Liang Chaowei's fans talked about the success of "The Magician", fantasized about "The Whisperer" which has not yet been scheduled for the middle of the year, and "The Grandmaster" directed by King of Sunglasses.

After the Spring Festival holiday.

Shen Santong returned to work.

Let’s first look at the performance of the Spring Festival period. In the first two days, “Lost in Japan” took the lead temporarily by relying on its sequel advantage.

Starting from the third day of the Lunar New Year, the daily box office of "Zhao Zilong" exceeded that of "Lost in Japan", and on the sixth day of the Lunar New Year, it ranked first in the total box office of the Spring Festival, earning nearly 1 billion in seven days.

If the audience has a choice, they will still choose blockbusters, as watching blockbusters in the cinema is cost-effective.

During the Spring Festival period, Santong Entertainment still dominates the market.

The third place is not "Reverse War" starring Zhou Jielun and Xie Tingfeng, nor "The Great Magician" starring Liang Chaowei, Liu Qingyun and Zhou Xun, but an animated film "Happy Dragon Year".

With a screening schedule of 13 points, it surpassed "Reverse War" which had a screening schedule of 21 points, followed by "The Great Magician", "Reverse War" and "Those Years".

Box office ranking: "Zhao Zilong", "Lost in Japan", "Happy Dragon Year", "The Great Magician", "Reverse War", and "Those Years".

Shen Santong had an inexplicable sense of déjà vu.
"Pleasant Goat has become a famous work of art." This was the first thought that came to Shen Santong's mind.

The "Boonie Bears" series of films was later called the "Wall of Masterpieces" and it was a sure bet in the Spring Festival movie market.

Chen Chexi came over and complained: "Do you know what Zhao Zilong is called now?"

"War Dragon?" Shen Santong guessed randomly.

Chen Chexi's eyes widened: "Are you still surfing the Internet intensively even on vacation?"

Shen Santong really said casually: "No, is it really Zhanlong?"

Seeing that he didn't seem to be lying, Chen Chexi said helplessly: "Wolf Tooth has been released for more than half a year, and there are still people scolding it."

Shen Santong thought that half a year was not a long time.

The rhythm of the previous life's "Wolf Warrior" has been followed for many years, and it is still being pursued like a mad dog.

After reading the summary report of Lost in Japan, Shen Santong asked in confusion: "Lost in Japan was also criticized? What's going on? We have been very restrained and filmed the script well."

Chen Chexi said: "On two fronts, there are units above Reader and Yilin that sent us letters. If it were a smaller company, it would have been strangled a long time ago. Also, this drama has somewhat burst the bubble of the script. There is a guy called Luo Hao, who brought a group of people and shouted on Xinlang Weibo."

Shen Santong felt that it would be necessary to increase efforts in the future to desensitize public opinion.

"Lost in Japan" is very gentle, okay!

It’s hard to understand why those who love Japan can’t learn from the national character of Japan.

Benzi has been very "gentle" in dealing with various domestic issues over the years.

Normally, consideration is often shown during normal times or after an event, but the notebook is different. For earthquakes, fakes, counterfeits, etc., the notebook is very considerate.

Whether it was the Self-Defense Forces for disaster relief or other functional departments, they were immediately praised for their hard work and shown sympathy on the spot before anything was done.

This means that no one has to take responsibility for the consequences they cause.

Shen Santong couldn't understand why these people in the country couldn't be more understanding and considerate of him?

I have decided that the next time I write a scene based on the background of the book, I must talk about the relationship between the father and the son.

From the perspective of sociology and economics, most of the time, the warriors, represented by soldiers, are the backbone of society.

What kind of cultural hematopoietic ability can the backbone of society represented by the soldiers have?

This group of people used all the Ming Dynasty Chinese painting techniques to paint erotic pictures, and most of Ukiyo-e are erotic pictures.

It is better to expect these people to innovate and come up with new things than to expect them to carve dragons out of rotten wood or to make gold out of shit!
A group of Bushido zombies, who had been pickled by the class system for thousands of years, crushed the essence of Tang painting into the flesh-colored spring banners of Yoshiwara Yukaku, and crushed the artistic conception of ink and wash into pornographic pieces of paper of the townspeople.

This kind of "innovation" that degenerates Zen into carnal desires and alienates elegance into vulgarity is essentially a barbaric carnival of stirring a cesspool with the handle of a knife.

When the spiritual backbone of the entire society is bent by the deformed "loyalty concept" of the samurai, and when the economic lifeline is monopolized by the feudal clans and becomes stagnant, how can these soldiers who even write their own names with blood create civilization? It is better to expect the salted fish in Edo Bay to compose a new chapter of Noh before being dried.

We can get a glimpse of how modern books have modified Western things. We can boldly guess that Japanese clothes, kimonos, and sumo are probably cultural customs lost in the Central Plains, which were moved there by books and preserved because of the geographical isolation.

Including the Japanese sword, the earliest prototype was the two-handed Odachi, which seemed to be used by infantry to fight cavalry and cut the horse's belly. The problem is that Japan has no cavalry since ancient times. Could this thing be invented by Japan?

He was most likely an envoy to the Tang Dynasty. He was envious of the sabers worn by the soldiers and officials of the Tang Dynasty as a symbol of their status.

Another similar practice is karate, which also changes its appearance and claims stolen things as its own.

When it comes to stealing, Benzi and Bangzi are the biggest players, and Benzi may even do more.

Japan and South Korea are secondary civilizations of Chinese civilization, and they have not learned all of it. They mainly focus on small courtesy but not great righteousness.

Shen Santong will definitely increase his efforts, as he can't be like Zhang Yimou.

The Oscars didn't even give Zhang Yimou a final nomination. It's tragic enough that a domestic director pursued international awards and told stories strictly according to Western narratives, but ended up with nothing.

Zhang Yimou lost everything he had. For such a serious subject, he had a white-skinned priest riding on a colorful cloud to rescue prostitutes from the Qinhuai River, but in the end he didn't even get an Oscar.

Those white judges didn't respond at all and didn't even give a ticket to the foreign language film.

The story of "The Flowers of War" also shows the influence of the book. It is reasonable to give it a reward even if it is flattering to this extent.

He didn't think this kind of thing was anything like that. Generally, it was the parties with direct interests who would take action, and the indirect parties with interests could only exert influence at most.

It is most likely that Ben Zi made the move. This is also the result of Ben Zi's tuition at Columbia Pictures, and it can influence public opinion in the United States to a certain extent.

The script has a lot of small changes in this regard. The massacre-themed film produced by Santong Entertainment and directed by Kang Honglei has not yet been approved.

Ms. Zhang Chunru was also harassed in various ways, but she protected the truth with her life, and her tears will go down in history.

"In the future, the company's background information must objectively reflect the company's situation and cannot be embellished in any way."

Shen Santong did not try to smear the facts, but only asked for a true and accurate presentation.

"Lost in Japan" was very considerate, only talking about the oil that had been passed down for generations, but not filming the promotional packaging. This is still unbearable, which fully shows that it was too beautified.

Must hit hard!
(End of this chapter)