New Age Artists

Chapter 506: Wolf Totem everywhere, persuading people to drink (23)

"Niu Geng is saving himself, Li Chenggong has transformed from an unscrupulous businessman to a good businessman and is also redeeming himself, and the government is doing its best to allocate resources."

"Niu Geng was an uneducated farmer who became a technical backbone through self-study and belonged to the category of workers and peasants."

"Li Chenggong is a private capital."

“It’s very united and politically correct, and in theory some media outlets should like it, but they still can’t accept it.”

As he was speaking, the assistant brought over the meal.

Four dishes and one soup, eight-treasure tofu, mu shu pork, fried fish fillet, pot-fried pork tenderloin, an egg soup, and a pancake.

The four of them were in a hurry to travel, so they only had some airplane meals in the evening, which didn't taste good.

Shen Santong opened a bottle of white wine and poured a glass for each person, a 2-liang glass: "Drink some, you will sleep better later."

Zuo Xiaoqing urged Shen Santong, who was eating heartily, "Hurry up and tell us, don't keep us in suspense."

Shen Santong took a few bites of the double egg pancake and continued, "My destination is this land. We will discuss and handle things together, and emphasize self-help."

"What about 'The Way of Heaven'? This TV series is all about chanting sutras."

"People in the play never forget to find opportunities to talk about religion and life. Once they start talking, they are like a flooding river and philosophers."

"His brows were slightly furrowed, his face was solemn, and except for the different opinions, his tone, words, speed, and expression were completely consistent."

"Have you seen Wanwan's drama "Top of the Forbidden City"? She dances awkwardly anytime and anywhere, and starts dancing as soon as she disagrees with something."

"The Way of Heaven" is about starting a debate as soon as a disagreement arises, interrogating the soul, and intensively outputting meaningless values."

Shen Santong pointed at Zuo Xiaoqing and said, "All that's missing is the character you're playing saying 'Stop arguing!'"

Hearing Shen Santong's curved accent, Yuan Quan and Yan Danchen burst into laughter.

Zuo Xiaoqing, the person involved, couldn't hold it in any longer: "It's not as embarrassing as you said, right?"

There is a group of audiences of the drama "The Way of Heaven" born in the 1960s and 1970s who really like the flavor of this drama.

It has a similar flavor to "The Warlords" or "The Ming Dynasty".

It seems black but not black, it seems disabled but not disabled, it seems understood but not understood.

Putting "The Ming Dynasty" on par with these two is a bit of an insult to "The Ming Dynasty", as its level is one level higher.

In this life, Shen Santong is accustomed to thinking from the source of literary and artistic works.

"The Way of Heaven" is another play with a strong colonial flavor.

"Whether the characters know each other or not, whether they have any connection or not, they all mention heaven. It's the same world, the same heaven, as if they graduated from the same school."

"In fact, there are many ways to say heaven, such as heaven, heaven, and heaven."

"There are too many unreasonable plots, but they are not important."

"This play serves the half-baked theories that Ding Yuanying often spouts: God is Tao, Tao follows nature, Tathagata, all that bullshit."

"These opinions are all for a plate of vinegar dumplings."

Yan Danchen took a bite of tofu and asked, "What vinegar?"

Shen Santong took a sip of wine and said, "I'm very familiar with this dish of vinegar."

"The Whig view of history is that because the present is strong, the past was strong and the future will be strong."

“The development of history is not dynamic, the connection between things is not dialectical, and strength and weakness are not relative.”

"The United States is strong now, so everything about it is beautiful, even trash is a treasure."

"We are relatively weak now, which means we are absolutely weak, permanent, all-round, and unchanging."

"We are not only weak now, but also weak in history. Even if our agricultural civilization accounted for most of the world's output during its peak period, our iron pots and porcelain were luxury goods. According to this theory, we are still weak and sinful." "The so-called heavenly law in "The Way of Heaven" is that our backwardness is the eternal heavenly law."

"On the premise of disrespecting and slandering our traditional culture, we talk about cultural attributes, such as strong culture and weak culture."

"Under the banner of exploring the objective laws of things, they are diagnosing the pulse of Chinese culture and hitting the root of the nation's bad habits."

"The backwardness of the Chinese nation for nearly a hundred years can be simply attributed to the confinement of traditional culture."

"We have been lagging behind for three thousand years, or even since the origin of mankind. As for the fact that Chinese culture has been leading the world for the past three thousand years, who cares?"

"The books 'The Way of Heaven' and 'Wolf Totem' are essentially the same. 'Wolf Totem' says that grassland is better than farming, but that's just the surface. It says that the ocean is better than farming, and the West is better than the East."

"It's just that 'Wolf Totem' starts from elevating the grassland, that is, the ocean and the West, while 'The Way of Heaven' starts from devaluing our traditional culture."

"The debate over the pros and cons of traditional culture is a leftover from the May Fourth Movement."

“The May Fourth Movement won in terms of patriotism and politics, not culture.”

"Culturally, there are too many shadows of the influence of the great powers at that time. Even Mr. Lu Xun's attitude towards our traditional culture is hard to describe in a few words."

"Other scholars knelt down completely."

"Our cultural field is still in the 90s, with semi-colonial characteristics. "The Way of Heaven" and "Wolf Totem" are very popular."

Shen Santong's conversation was beyond the three girls' understanding and they were confused.

Yuan Quan said: "Semi-colonialism is too ugly."

"Let's drink." Shen Santong urged him to drink and said calmly, "I'm being polite. This is not the most disgusting thing about the play "The Way of Heaven"."

"The background setting of the male protagonist is all for the purpose of preaching self-hate and devaluing traditional Chinese culture."

"Take away all the adjectives, such as private placement, delisting, etc. The male protagonist Ding Yuanying is an outsider."

"What about the heroine Rui Xiaodan? Putting aside the setting of having long hair, she is a people's policeman. What does she symbolize? The regime."

"Rui Xiaodan was attracted to Ding Yuanying, obsessed with him, and regarded him as a savior. The symbolism is so disgusting!"

"I didn't want to shed blood and didn't participate in the sacrifice. Now that the fruits are getting bigger, I'm starting to get itchy."

"They disdain the sacrifice, but are eager to see the fruit."

"Not only are they salivating over it, they also want the fruit to be delivered to their doorstep! The Way of Heaven is the culmination of these people's erotic fantasies."

"A drooling monster covets the industries, infrastructure, and even the large, healthy population that we have accumulated since the founding of our country, and keeps wandering around looking for opportunities."

"Through cultural works, the real historical cognition is modified, such as the masters of the Republic of China and the Republic of China are romanticized, and the sacrifices of the martyrs are downplayed."

"Tian Xuanmo in "Bright Sword" is such a character. He survived all the stages of the late Qing Dynasty, the early Republic of China, the Japanese invasion, the Japanese occupation, the puppet Manchukuo, and the Homecoming Group intact. After liberation, he wanted to join the distribution at the table."

"The purpose of devaluing traditional culture is to make us abandon tradition and completely destroy everything."

"They are good at making up lies and packaging them into beautiful statements, such as breaking down the old ways and establishing the new."

"It's not that we don't have conflicts, but now is not the time of 90 years ago, or 100 years ago, when we were suffocated by the pressure of three mountains."

"Isn't this a different kind of shock therapy? After the great destruction, before the great reconstruction, the United States, the European Union, and even the Russians will come and cut us in the face."

"During the earthquake last year, the Indians were ready to make a move. They were rushing into sensitive areas and coveting our possessions. There were so many bad guys!"

Shen Santong thought: "There are quite a lot of such works, many of which are very popular and well-received."

"I don't know what to say, drink."

Persuade the three of them to drink.

"You want to get us drunk, right?" Zuo Xiaoqing joked.

(End of this chapter)