New Age Artists

Chapter 364: Benyin Jianqian, Unify Thoughts (13)

Nakaizumi Yingxiong received instructions and decided to leave: "Because you have seized the power of Director Lu Chuan's crew and violated the promise between us. We are a nation that abides by contracts. I must leave."

Shen Santong said impatiently: "Prepare the liquidated damages and compensation. Finish the filming as required and you can leave at any time."

It's a good opportunity to change the plot and kill off the character Kadokawa.

"Nanjing" is difficult to shoot according to Shen Santong's wishes.

Not very realistic.

If he were to film it, the Chinese side would highlight the brutality and various kinds of resistance.

There is betrayal and surrender, but they are tributaries. The mainstream is the endless struggle of countless people.

The war of resistance is about resistance.

Resistance does not need meaning, resistance itself is the meaning.

It is a fact that the fate of the entire country and nation was at a low point during the massacre.

But it is also a fact that everyone is contributing their efforts in the face of national suffering.

As a movie, it should highlight the mainstream rather than the tributaries.

The same is true for this book.

Does human nature exist?
Of course there are.

But it is only a tributary, one in hundreds of thousands, and the mainstream is not human nature.

The non-human should be highlighted.

The fact that they do not regard the people of Dongda as human beings shows that they have become beasts.

Highlight the pauper's imperialism.

The first time the Japanese ate chicken was when they invaded the University of Tokyo.

Yakitori, Yakitori, why not Yakitori chicken?
Because I was poor, I never ate chicken.

Highlight the original sound and build the false culture.

Japan and South Korea learned Confucian culture, but they learned it in a hasty manner, making it a weird thing.

Honnone and Kenzen are one of the very important cultural logics of the book.

The true meaning is what is in your heart, while Jianqian is just the superficial work.

To put it bluntly, he says one thing to your face and another behind your back.

The University of Tokyo has a negative opinion of people who say one thing in front of you and another behind your back, who say sweet words but say sharp words, and who are two-faced.

Even if you achieve success as a result, you still hold a derogatory attitude.

As for this book, it is not a question of whether it is negative or not, but the whole society, everyone says one thing in front of others and another behind their backs.

Honnone and Kenzen must be distinguished.

Only a few aristocratic families can do without the Jianqian mask and say whatever they want.

Do whatever you want regardless of the occasion or your identity.

Only a few people can live the way they want.

The privileges of the upper class.

Everyone else must wear a Jianqian mask.

This anime also reflects this point. The protagonist can preach without wearing a mask, which is a great pleasure for the readers of the anime.

Because of Honon and Kenzen, there is a culture of reading the air.

Reading the true voice and the words of the strong and the superior, as well as their inner thoughts and polite words, is a basic skill of the book.

This culture also leads to the fact that there is never any unintentional action in what we do.

When a company or individual does something that offends the people of Tokyo University on a certain day.

This is no accident.

It must be intentional.

Because reading the air is a basic skill for people of this genre.

Without this skill, you can't survive in this society.

When Benzi offends, it is a deliberate probing and an intentional offense.

Faced with this situation, we must fight back strongly.

If you don't fight back, they will become more aggressive next time.

As for his attitude towards the history of aggression, Kenzen remained silent and was unwilling to mention it.

Jianqian was unwilling to even offer a formal apology, so one can imagine what he meant.

Honnone is the incense at the toilet shrine and the offerings to war criminals in various places.

Benzi has not reflected thoroughly on his past sins and even misses that time.

The cultural characteristics of Honnō and Kenzen have also created a very developed special industry in Honnō.

In other societies, like the United States, whether it is performing or working in this industry.

There will always be a sense of uneasiness about trampling on one's personality, or pleasure gained from the collapse of morality.

No matter which emotion it is, it is not a normal emotion.

In terms of expressiveness, it will be very unnatural.

The book is not like that.

Because of the culture of Honone and Kenzen, even if the actress Honone hates this kind of thing very much, the Kenzen she presents can be very natural.

In some offline sex shops, the service attitude is very good and professional until the time is up. Even the existence of this special industry is due to this culture.

It is prohibited on the surface, but it is more developed than anyone else.

This is reflected in the war. When the atmosphere in society is completely inhuman, all the Japanese devils will put on inhuman masks, like real beasts.

Even if they themselves are suffering and can no longer bear it, but the social atmosphere requires them to continue, they will continue.

Emphasizing the fact that 100 million people would die in battle, they surrendered in the blink of an eye.

"One hundred million deaths in glory" was just a polite remark made by Jianqian, and Honnone has already reached his limit.

This kind of culture is very dark and terrifying.

When the self is stripped away, the external world and the self can become incompatible.

Shen Santong shoots according to his own ideas and his emotions become very strong.

Can't shoot.

The project of this play was approved because Tan Hong and Lu Chuan lobbied the relevant departments together.

Objectively speaking, Shen Santong made his position clear. If he were to shoot the film, it would be hard to say whether the project could be approved.

There is a high probability that you are not even qualified to take pictures.

This is the background of the times, and we should promote friendship between China and Japan.

Shen Santong concentrated on filming the scenes with Nakaizumi Yingxiong, and after filming, he said, "That's it, don't forget to pay the penalty."

Leaving the crew midway will affect the film project and cost a lot of money.

The crew finished work.

The actors from the script received the notice and found the on-site producer and said, "We signed a contract with Director Lu Chuan, not with the current director."

Except for three Japanese actors who were visiting China for the first time and could not speak a word of Chinese, most of the others were Japanese students studying at the University of Tokyo.

Shen Santong received a notice from the on-site producer and waved his hand: "You can stay or leave as you like, just pay the penalty."

Then, Shen Santong looked at the external producer in charge of the actors and asked, "Will the actors I want be in place tomorrow?"

The external producer assured: "It won't affect tomorrow's filming."

Shen Santong took the opportunity to open the script for the crew's assistant director.

He is closely related to the troubles caused by the actors in the script.

Since the original actor had left, there was no need for him to stay.

Shen Santong said to the Life producer: "Today our main creators had a meal together. Director Lu Chuan quit, and the script actor also quit. Everyone has their own ideas, and we need to unify our thoughts."

I had dinner with Liu Ye, Fan Wei, Gao Yuanyuan, Qin Lan and other main creators, but didn't drink any alcohol.

Shen Santong did not mess around in ordinary crews, and the requirements of the "Nanjing" crew were very strict.

This is not a subject to be taken lightly.

Shen Sandong said: "I first came to the crew of Nanjing to see Gao Yuanyuan. Her character has a lot of heavy scenes, and I was worried that she wouldn't be able to make it."

"Later, I really wanted to do something to help the crew. I have no grudges against Director Lu Chuan. I admire him very much. We are both young directors."

"Of course I also want to avoid the limelight. Li An is not someone you want to mess with. As everyone knows, many media outlets have attacked me."

The dinner atmosphere was OK.

Shen Santong explained his motives: "I didn't interfere with Director Lu Chuan's ideas before, not at all."

"When was the last time I couldn't help intervening?"

"It was Director Lu Chuan who wanted to design the passionate scenes. I told you that the producers of Lust, Caution wanted to promote it as a Category III film."

"As a commercial film, it's understandable to hype up passionate scenes, but can "Nanjing" be hyped up?"

Everyone nodded in approval.

Except for extreme inhumane people, most people will not accept the distortion and deconstruction of historical scars such as the Holocaust.

Shen Santong continued, "Shooting according to Director Lu Chuan's idea will reduce national sentiment."

“The best character in this drama, the one he had the most ease shooting with, was Kadokawa, who was in the Japanese perspective.”

"He was designed as a soldier with a conscience, which didn't fit in with the background of the film."

"Compared to the one main plot of the Japanese side, the Chinese character is fragmented. He has many ideas, but he has no way to control them."

"The character of Lu Jianxiong is not suitable for emotional scenes with Jiang Shuyun. Such scenes cannot be filmed."

"Based on Director Lu Chuan's ability, the character of Lu Jianxiong will most likely not be able to continue and will have to be hastily concluded."

"That would be disastrous, with the Japanese protagonists being flesh and blood, and the Chinese being intermittent."

“The show will become a mess.”

"It's just right that the Japanese actors left. The Japanese perspective has become a relay, and the Chinese perspective remains consistent."

"Nanjing" cannot be filmed the way Shen Santong wanted, but we can still do what we can.

It is impossible for the character Kadokawa to appear throughout the whole story.

He cannot be made flesh and blood.

He was arranged to die by his fellow villager's dung fork while stealing chickens, giving him a ridiculous death.

Use a relay method to complete the Japanese perspective.

It seems normal that the Japanese perspective collapses due to the role relay.

This corresponds to the fate of the entire nation collapsing in the war.

(End of this chapter)