New Age Artists

Chapter 292: Health Care Qiao Shan, Calling Yang Mi (13)

Huang Bo next to him found it funny.

A little Karami who thinks too much.

You still call me senior, do you really think we are in school?

Don’t you see that there are a lot of people waiting to laugh at you?

After all, they are all from Beijing Film Academy. Huang Bo reminded: "Director Shen is very strict on the set, don't do anything unnecessary."

"If you act well and play this role well, it will be enough for you and you will have a representative role in the film industry."

Yang Mi nodded obediently: "I won't hold you back."

Learned a lesson and adjusted my mood.

After watching it again, Shen Santong nodded and said, "Okay, passed, move on to the next one."

It’s still a laboratory scene.

The plot is that after dealing with the dean, Brother Jie sat on the sofa feeling depressed.

Suddenly, at this moment, the phone flashed.

I received a secretly taken photo, but no one responded when I asked about it.

The original filming time entered the era of smartphones, but now there are none, so Shen Santong designed it to appear as if he had received a MMS.

Brother Jie wanted to see who was playing a prank, so he walked out the door in the direction of the photo.

No one was found.

The mobile phone received more photos and entered the chemistry laboratory following the photos.

I opened the storage room and it was pitch black with nothing in it.

The laboratory classmate played by Qiao Shan appeared later and scared Brother Jie.

Brother Jie also scared the classmate who was holding the fried dough stick, and the dough stick fell to the ground.

The classmate complained to Brother Jie that he had wasted fifty cents, and picked it up carefully with toilet paper.

The design here in the original version contrasts with the ending of the movie.

When Brother Jie breathed a sigh of relief, a masked man suddenly appeared and killed him.

In the movie plot.

The first cycle of the male protagonist's friend ended and entered the second cycle.

The second cycle laboratory scene.

Plot summary: In the second cycle, Brother Jie repeated the same operation as the heroine in the first part.

He knocked on the door again, ate a mouthful of dog food, and then complained that he seemed to be in a dream within a dream.

It attracted the attention of the male and female protagonists, and the female protagonist explained the ins and outs of the time and space cycle.

Holding a hammer, it means that the murderer must be killed.

In the original version, the heroine was holding a baseball bat, but Shen Santong changed it to a hammer.

Laboratory plot.

The male and female protagonists followed Brother Jie to the laboratory.

The dean once again asked to move the experimental equipment away, criticized Brother Jie, and mentioned the small experiment.

The heroine thought of her own time loop, so she asked.

Brother Jie began to introduce this space-time device and mentioned that some special data was collected last night.

Through this sentence, the heroine confirmed that Brother Jie was the culprit who caused her time loop.

Thinking of her repeated deaths, the heroine angrily called Brother Jie an idiot.

The two Brother Jies confront each other, and the heroine re-enters the cycle and enters a parallel universe.

The plot is that the heroine and the heroine were discussing the time machine in a milk tea shop and found that they had created a technology that shocked the world.

Give Brother Jie an idea on how to avoid the murderer who wants to kill him, which is to go to a crowded place.

In the original version, it was about going to watch a basketball game.

Shen Santong's version is about watching a table tennis match. Table tennis is the national sport, not basketball.

But no one expected that the Monkey King mask was the team’s mascot, which almost made Brother Jie and the heroine stressed.

There is an easter egg here. In the original version, the heroine saw a gay, and the other party found a gay friend.

In Shen Santong's version, the busty girl Wang Luodan stands up straight and has a boyfriend.

Suddenly the stadium issued an emergency notice to evacuate immediately.

In a panic, Brother Jie was chased again.

At the critical moment, the heroine arrived and knocked the murderer unconscious.

Unmask the murderer.

Everyone was shocked that this person turned out to be Brother Jie.

So, the protagonists brought the killer Jie Ge to the laboratory.

The plot of the laboratory scene.

There are two Brother Jies confronting each other, and the killer Brother Jie comes from another time and space.

Killer Jie Ge said that there cannot be two identical selves in one time and space.

The other self must be killed, otherwise there will be a butterfly effect, leading to terrible consequences.

Brother Jie from the parallel universe shouted that he wanted to kill Brother Jie from this universe, and Brother Jie from this universe also shouted to kill the other.

The male and female protagonists were confused and didn't know who to kill.

Brother Jie in this time and space immediately starts the time and space machine to send Brother Jie away. The machine starts again and the dean rushes in and asks Brother Jie to shut it down.

The killer Jie Ge broke free from the rope, picked up a stool and smashed it directly.

At the last moment, the machine started successfully.

It took Shen Sanyong a day and a half to shoot this laboratory scene.

There are two Brother Jies, and they are played by stand-ins. Two of them appear in the camera, and the other one will be a stand-in with the same hairstyle and similar body shape. They are then shot and edited separately.

As for the previous scene in the gym, including the killer Jie Ge being knocked unconscious, it was filmed by another group.

Shen Santong looked at the effect and nodded: "Mi Mi, this time the movements are good, and it feels very natural when you do it."

When the dean came in with the security guards, he asked the square-faced girl played by Yang Mi to protect the equipment and call the security guard's cell phone.

After the fight, come and ask: "Are you okay?"

This point is shaped based on the character of Yang Mi in later generations. Now when she fights, she seems a little unfamiliar.

Yang Mi was delighted to hear that the performance had ended.

Using the phone with actions creates a point that the audience can remember.

Continue to serve tea and water to Shen Santong.

She is not afraid of being scolded, she wants to be famous.

She felt that her persistence in getting close to people, passing them water and snacks, had paid off.

It's just weird to use the cell phone.

Sometimes, I would recall the feeling of making phone calls and feel an inexplicable sense of satisfaction.

She attributed it to Shen Santong's extraordinary insight.

It is generally recognized in the circle that Shen Santong is very good at training actors.

Just a few designs can make the character stand out.

What Yang Mi wants most now is to let Shen Santong teach her a lesson.

The heroine’s first cycle, the story in the laboratory.

Brother Jie and the hero want to send the heroine back to her own time and space, but the heroine stops Brother Jie and the hero from starting the time machine.

The heroine re-entered the loop and found herself in normal time and space.

My mother is still alive and has not died.

Since there is no killer here to kill her, and she also has the long-lost maternal love, the heroine thinks it is actually quite good to stay here.

after that.

The plot surrounding the lab scenes starts to become repetitive.

The heroine went to the hospital to kill the killer and died in the hospital. She entered the second cycle.

She wanted to stay here to live her life, not to repeat herself, so she asked Brother Jie to find a way to turn off the loop.

Brother Jie said that there was nothing that could be done even if the power was cut off.

Because the heroine is in a time and space superposition, the time and space machine starts automatically.

The cycle can only be closed by turning off the machine, just like a powered lockbox.

If you cut off the power and don't know the password, you still can't open the box.

The machine needs manual trial and error, eliminating variables, and constantly recording to optimize the error algorithm, which normally takes several weeks of attempts.

The heroine will enter a time loop, and the test data for that day will be completely reset.

The hero thought of a way and the heroine became a recorder.

The heroine is very repulsive.

She knows nothing about mathematics or algorithm research.

In addition, this method means that she has to be killed and reset all the time.

Every time she dies, an incorrect algorithm is eliminated. She will keep dying until the loop is completely closed. She doesn't know how many times she will have to die.

The character played by Qiao Shan suggests that it would be better for him to die early rather than be killed.

The square-faced girl played by Yang Mi said that at least it was better than being killed while wearing a mask.

The plot of the laboratory is that after the heroine commits suicide in various ways, she memorizes formulas and continuously optimizes the algorithm.

The ninth cycle.

The heroine wrote down all the equations she had tried on the lab whiteboard, shocking everyone.

After eliminating all incorrect algorithms, the space-time machine can be restarted and the space-time overlay can be closed.

The time machine can be started at any time, and the heroine will have to make a choice: to return to the original time and space and be accompanied by the hero, or to stay in this time and space with her mother still alive.

The heroine chose to stay in this time and space.

So, Brother Jie started the time machine.

However, the character played by Qiao Shan, the god of health, secretly watched pornographic films, which caused his hard drive to be infected. Brother Jie had to enter the code manually, which took about seven hours.

Huang Bo's character Jie complained about Qiao Shan's character: "It's OK for you to wash your feet and give a massage at ordinary times, but you delay things at the critical moment."

Qiao Shan smiled shyly.

Shen Santong said: "Okay, passed."

His impression of Qiao Shan was that of the god of health, and he portrayed him in that way.

The functional characters played by Qiao Shan and Yang Mi only need one or two memorable points.

(End of this chapter)