A healing writer? No, it's a depressing writer!

Chapter 139 If you want to make it in life, you must have power!

We have to admit that sometimes the gap between people is really bigger than that between people and dogs?

They were all students, so why could Jiang Hai sit among the professors and talk freely, while the students who followed him here——

Being timid and submissive like a clown?
"What you mean is," Professor Tao Chunfang's expression gradually changed from calm to solemn after a conversation with Jiang Hai, "you want to use the surreal expression of the three vows to carry on the structure of the entire play, and finally use the exaggerated expression of goose feathers falling from the sky and snow in June to highlight the injustice of the heroine Dou E."

"Yes, but not entirely." Jiang Hai thought carefully for a moment, and then continued to talk with Professor Tao Chunfang, "My ultimate goal is not only to tell the heroine's injustice, but also to express the suffering of the people under the brutal rule of the ancient feudal dynasty."

Sometimes, aura is really something mysterious?
Do you think such a thing as aura exists?

That definitely exists!
Although all the scholars and professors present are professional creators in the domestic drama field, it is not an exaggeration to compare this group of people to the ceiling of the domestic drama screenwriting field.

Although Jiang Hai is just a student, he can be in this situation——

Don’t be shy, speak freely and express your ideas bravely!
Highbrow things are good, of course, but the general public also needs stories about the common people!

From Jiang Hai's perspective——

His contact with the field of online literature is to contact the sinking market. Through the form of online literature, he allows many readers who have low cultural literacy but love reading to appreciate the charm of words.

He has written too many stories about the sinking market, so what he needs to do now is -

It is to let this group of professors and scholars with extremely high cultural literacy experience what is truly highbrow and what is truly tragic!

Do you think "The Injustice of Dou E" is a kind of opera drama with a wide range of distribution?

This is not the case.

Because if you just read the drama script, many people may not even understand the script?
Drama is different from traditional literature.

Right at the beginning, I will explain to you the benefits of the opening, as well as the twists and turns.

For most drama scripts, they will show you the different acts at the beginning, for example -

The first act introduces the main characters and the relationships between them.

In the second act, the main storyline gradually begins to emerge, and what happens between the characters begins to unfold the main plot.

This kind of thing can only be achieved through acting to better effect!
For ordinary people, or ordinary people who have never been exposed to [drama], they are only given a boring drama script.

Maybe you can't even watch it?
Or you just can't understand it at all?

However, from the perspective of the literary quality contained in the drama itself, you should compare "The Injustice of Dou E" to "A Dream of Red Mansions" in the field of drama.

This is by no means an exaggeration!

The Cao Yu Drama Literature Award was originally a competition among a group of senior intellectuals.

Yes, in the field of drama, this is indeed the most prestigious award in the country!
However, outside the field of drama, from the perspective of ordinary people -

How many people know about this award?

Therefore, the works participating in the Cao Yu Drama Literature Award do not require the works themselves to have a wide range of dissemination. It only requires one thing:

Is the literary quality contained in the entries profound enough?

There is no doubt that in terms of dramatic conflict and literary literacy, "The Injustice of Dou E" can be said to be maxed out!
You call it the epitome of traditional Chinese folk drama!

This is by no means an exaggeration!
"What I want is not for "The Injustice of Dou E" to be included in the competition and to be widely spread. I just want to be nominated and win the award, that's all!"

It was with this mentality that Jiang Hai and Cheng Xi spoke freely and openly with the professors and teachers present.

He was very confident and had no stage fright at all!

There was no trace of timidity due to the difference in their identities.

At first, everyone was a little indifferent to Jiang Hai's statement.

I think Jiang Hai is just like a newborn calf who is not afraid of tigers. Without even knowing anything about drama, he dares to make such a boastful statement:
"I want to complete a folk drama by myself!"

However, as I listened, I was not only listening to Teacher Tao Chunfang who was communicating in Jianghai.

Even the screenwriter Mr. Ye Jingming, who was sitting next to her, seemed to be attracted and came over with great interest:

"You know what, this guy is quite interesting, huh?"

"Go on, I'm listening."

Do you want to ask these students here how they feel?
First, surprise.

I was surprised that Jiang Hai could actually talk to these industry masters in the field of drama, and judging from the expressions of these teachers and professors at the scene -

Regarding the story told by Jiang Hai, these teachers did not just listen to it, but to some extent they were also very interested in it?
Second, jealousy.

Why is it that Jiang Hai, who is also a student, can talk fearlessly with these industry masters in the field of drama, while these students sitting in the back row——

Is it difficult to go up and talk to these teachers?

In the Department of Drama Performance, the senior who had just chased Jiang Hai away from his seat stared at Jiang Hai with envy:

"This Jiang Hai is really awesome."

To be honest, who among those who can come here to watch the mobilization meeting is not a rare talent? Who among them is not the top student in their respective colleges?

Even if they came to the scene, these students of Chengxi Opera's trump card major [Drama Literature Department], when facing this industry leader in the field of Korean drama -

Who isn’t nervous?

Who is not afraid?

On the other hand, Jiang Hai is a student. Although he is young, only eighteen or nineteen years old, the way he speaks and the calm aura he displays - he doesn't look young at all!

Especially when Professor Ye Jingming, who is known as the ceiling of the drama field and a leader in the industry, happily took out a cigarette from his pocket and passed it to Jiang Hai, the students who witnessed this scene were shocked.

I was totally stunned!

Who is Teacher Ye Jingming?

That is a living fossil in the domestic film, television and drama fields!
A series of popular and extremely classic film and television scripts such as "The Legend of Zhen Huan", "White Deer Plain" and "The Secret Visits of Emperor Kangxi" were all written by Mr. Ye Jingming. However, even such a leading figure in the field of drama took the initiative to lower his posture——

Go and give a cigarette to a little-known student like Jiang Hai?

"This world is too crazy." When witnessing this scene, both Shen Yue and other students from the Chinese Department who came to attend the conference were completely stunned.

Let Teacher Ye Jingming pass you a cigarette?

Jiang Hai is really arrogant!
"Your idea is very mature." Professor Ye Jingming, with gray hair on his temples, handed a cigarette to Jiang Hai with a cheerful look on his face. "What you lack is not the story, but the overall framework of the drama, which is the so-called professionalism. I can help you with this."

"How about it, are you interested in taking me as your mentor and I will teach you?"

As an industry leader in the field of film, television and drama, there are countless students who want to become Professor Ye Jingming's disciples.

Firstly, Professor Ye Jingming himself has very rich knowledge of drama theory.

He is indeed qualified to teach and educate.

The second is that Professor Ye Jingming has a huge amount of resources on film and television scripts under his control.

If you apply to Professor Ye Jingming, he can really give you a few scripts from the crew, give you money, guide you to write, and even sign your name at the end of the [Screenwriter Signature].
It's great to have a teacher who is so professional, can bring you into the industry, and is so dedicated.

As a screenwriter, is there anything happier than this?

"Professor Ye Jingming, who has never taken on any apprentices, has actually taken on students for the first time?"

He didn't even wait for the students watching to be surprised.

Teacher Tao Chunfang, who was sitting next to Professor Ye Jingming, directly refuted his words with sharp words:
"Jiang Hai wants to write a folk drama. As a screenwriter, do you know what a folk drama is?"

It was as if he was afraid that Jiang Hai would be kidnapped.

Tao Chunfang immediately pulled Jiang Hai over:

"Jiang Hai, don't listen to this old guy's nonsense. He is indeed quite good at film, television and drama, but when it comes to opera and drama?"

"This old guy is really not qualified to be in front of me."

Without waiting for Jiang Hai to reply, Tao Chunfang called over the girl who had been waiting beside her. She was wearing gold-rimmed glasses and looked a little silly.
"The city's art troupe is going to stage two plays soon. I'm quite busy, so I may not be able to spare much time to answer your professional questions."

"This is your Senior Sister Xiao Linyu. If you have any questions, you can ask her directly."

"Linyu, let me introduce you, this is your junior fellow apprentice."

? ? ? ? ?

When Jiang Hai heard this, he was a little confused for a moment.

I just wanted to come here to ask some questions. How come I suddenly became a disciple of a different sect and even had a new teacher?

Just as Jiang Hai wanted to explain:
"No need, Mr. Tao. Just send me some drama materials and I can study on my own."

Unexpectedly, he hadn't finished speaking yet.

Senior Sister Xiao Linyu, who wore gold-rimmed glasses and looked a little silly, replied to Jiang Hai a little belatedly:
"okay."

"Hello, Junior Brother Jiang Hai, I'm Xiao Linyu, you can call me Linyu."

In the past few days, the Cao Yu Drama Literature Award is about to start. As a contestant, Jiang Hai——

At the same time, I was busy learning about the common knowledge of ancient drama adaptation.

At the same time, preparations are being made for the finale of "My 26-Year-Old Female Tenant".

Ancient Chinese drama is different from ordinary copied books because there is no ready-made framework to refer to.

Although Jiang Hai did have the general framework of "The Injustice of Dou E" in his mind, how to adapt "The Injustice of Dou E", which is known as the ceiling of ancient Chinese drama, into a popular modern drama in a just right way?

This requires Jiang Hai to pay close attention!

These few days, Jiang Hai felt that he had made up for all the classes he had missed throughout his college career.

Not only is his heart tired, his brain is also tired!

"Comfort is for the dead. As long as you don't die, fight to the death!"

It is precisely with this belief that Jiang Hai has been able to persevere in his busy and complicated work and study.

Although he has been very busy these days, Jiang Hai knows that when he officially starts the creation of the opera "The Injustice of Dou E", he needs to do one thing first -

That is to complete the final ending of "The Tenant"!

Jiang Hai was sitting in front of the computer screen, staring at it with a tired look on his face:

"Whether you want to give me an ending in the future or not, I need to give this book an ending now."

"Hold on tight, surgery begins"

(End of this chapter)