The only beast master in the world of immortality.

Chapter 79 A few words
I don't know how to write a romance story, and I can't write this kind of thing. I haven't experienced it. What kind of experience does the protagonist have? The protagonist and Nan Ge are not in love at all. The goals of both of them are very clear.

The protagonist is looking for a high-potential soul contract, completing the second soul contract, and then ushering in the second transformation. This has been emphasized many times in the text.

All his actions were for this purpose. The promise he made to Nan Ge about spending his life with him was made as a beastmaster. Once a contract was signed, he would not take the initiative to tear it apart.

No protagonist of any beast taming novel would abandon his pet so easily, right?
As for Nan Ge, I have clearly written that she is not a naive person, nor is she love-brained. She can easily travel between the human world and the underworld. If she were so easy to hook up, she would not have been the protagonist's turn. She has tasted the protagonist's flavor, so she will take the initiative to ask for a closer connection with the protagonist when they meet for the third time.

It seems that many people do not understand the positioning of the protagonist's physique, and ignore the role it plays.

The protagonist’s physique is similar to the World Tree in Chong Mei, and the enhanced version of the elixir of immortality in Zhu Tian. Except for the emperor who lives a second life, who can refuse the elixir of immortality?
I ask, if you find a potion of immortality that jumps around on its own, standing in front of you, and you taste it and confirm its effect, who would be stupid enough to let it go?
I didn't want to say this originally, but after seeing so many complaints, I couldn't help but say it and reveal the truth hidden beneath this intimacy and ambiguity.

Another small spoiler.

The protagonist's eldest brother has a very clear position, he is the protagonist's natural protector. There is no danger that can exceed the protagonist's ability to deal with. If he can get close to the protagonist by passing the eldest brother, then it is not a danger.

That’s all. I’ll get back to typing. No more nonsense!
(End of this chapter)