Mystery: Mr. Witch and Ms. Hunter

Chapter 188 Chapter 45.5 Q and A (Question and Answer Chapter, readers who don’t have much money on hand can choose not to order)
(The first part briefly discusses the specific ways in which the pollution brought by the Outer Gods is produced and the questions raised by book friends in recent chapters. There will be such chapters regularly in the future to prevent disputes and thefts, and to discuss the mysterious settings for everyone.)
First of all, let's make it clear that understanding the outer gods of the starry sky will lead to pollution, which is unquestionable. However, to what extent will this pollution manifest, or to what extent will understanding lead to pollution? Here is a simple analysis.

In the previous chapter, Derrick told Adele the full name of the Mother Tree of Desire (deliberately separated, and using the Loen language which has no ability to communicate with the mysterious world), and that the Mother Tree of Desire controlled the Demon King, controlled the Bound God, and disguised itself as the "Original Moon". Will this bring pollution?
Let's look at some simple examples. The leader of the Celestial Cult at the Toskat Island Naval Base, Follet Ken, a Sequence 8 "Madman", personally told Klein, who was disguised as Admiral Amyrius, that the "Mother Tree of Desire" was equal to the "Bound God" and that it was not contaminated except for evil. Xiao Ke later gained his extraordinary characteristics and was bought by Huang Jiajia, who did not report any quality issues.

Under the bridge arch on Oravi Island, Fate Councillor Richoide directly told Klein that the "Bound God" was the incarnation of the "Mother Tree of Desire" and that the "Mother Tree of Desire" had a subtle relationship with the "Primal Moon".

As for the Demon King Farbuti, this is something that is already in the textbooks of the City of Silver, and they even teach in Giant language, so it won't cause any problems.

Then, combined with Mr. Luo’s relevant settings for external gods, we can guess that: only when at least one of the three main elements of the sentence "understanding external gods in the starry sky will bring pollution" - "understanding", "external gods in the starry sky" and "pollution" - is a concept of mysticism, will it constitute pollution.

Simply put, these three words are all created by normal humans. Simply reading these three words will not bring pollution. Therefore, the "Mother Tree of Desire" is the "Bound God" and the "Mother Tree of Desire" controls the "Bound God". This level of description will not bring danger.

In addition, the "Mother Tree of Desire" is not an Outer God. In the eyes of the cultists, they only know that it is more powerful than the true God. The "Mother Tree of Desire, the Father of Demons, the Eternal Howler, the Lost God" is the Outer God. Understanding the "Outer Gods" will bring pollution, but understanding the "Mother Tree of Desire" will not; understanding the "Mother Tree of Desire as an Outer God" will bring pollution, and understanding the "Outer God who acts in the name of the Mother Tree of Desire" will also bring pollution.

For example, if you explain the word "locomotive" to an ancient person, if you say that some "locomotives" run as fast as "cars", he will not be able to understand because he does not know what a locomotive is or what a car is. The same is true if you say that the "locomotive" pulls the "train carriage" because he can only understand the verb "pull" in this sentence, and when there is an interaction between two things he does not understand, he will make associations within the scope of his own cognition.

However, if the ancient person knew the connecting structure between the carriages and knew that this structure was used for "pulling", then the second statement would also become dangerous, because he might be able to infer the partial state of the locomotive that can achieve the action of "pulling" based on this method.

In other words, the statement that "Outer God A" is "Outer God B" is not dangerous, and the same is true for the statement that "Outer God A" has polluted "True God B". However, if one of the narrator and the listener truly understands "pollution", then the latter statement is very dangerous.

The following is a list of prohibited items:

1. Once you have been exposed to "pollution", all subsequent descriptions of the Outer Gods may cause secondary pollution to you, even if aliases are used.

2. Those who have not been exposed to "pollution" but have prayed to foreign gods or incarnations of foreign gods and achieved "understanding" of foreign gods in the mystical sense will also cause secondary pollution because of their understanding of foreign gods.

3. Those who have not been exposed to "pollution" and have not prayed to the incarnations of foreign gods, but have heard the knowledge of foreign gods told in a language that can leverage the power of nature, will also be polluted.

4. Anyone who records any substantive description of the external God himself, anyone who sees such substantive description, and the carrier that records such description will be polluted and eroded.

5. People who know about the "Starry Sky Gods" and know that the "Desire Mother Tree" is one of the "Starry Sky Gods" are extremely dangerous. Unless they have reached the angel level, they will be in trouble if they know it. In addition, any way of connecting the starry sky with the Desire Mother Tree and connecting the underground with Lilith will be seriously polluted.

That’s all about pollution. Now I’m going to correct a few mistakes. Since it’s already on the shelves, it’s very troublesome to modify the previous chapters, so I’ll correct them here.

If you go back and look at the previous timeline, you will find that many places are written as 1363. That was a slip of the hand when I wrote the introduction. The timeline of the subsequent manuscripts was also based on the introduction. In fact, it should be 1353, which is one year after Xiao Ke fell asleep. Although I corrected some of it when I looked for it later, there should be some places that have not been corrected. When reading the previous chapters again, if you see s, automatically fill it in as s.

In addition, there was the first meal that Mr. Witch and Miss Hunter had together in the previous chapter. There were several inconsistencies between chicken blood and duck blood. Now we have a unified statement: just understand the spirit, and don't worry about the details in strange places (half annoyed)
This has actually been revised many times, but it may not be complete. Often, one group of book friends say it should be "chicken blood", while another group says it should be "duck blood". I revise it every time a book friend says so, and the editor is annoyed by me...

In addition, although it may be a bit late to say this at this point, the protagonist of this book is really not a time traveler, he is just a wild Roselle chef. If he hadn't seen a few Roselle diaries, he would probably have the two Chinese characters "逗比" tattooed on his body. So isn't it normal for him to learn Intis dishes, use chopsticks, and read a few more Roselle quotations? QAQ
This novel wants to tell the story of representatives of "indigenous people". In my opinion, in such a wonderful and mysterious world, it should not be the case that all people who have left a significant mark in history are time travelers.

They need a native who can gradually become a true god or even an old man from an ordinary person, and make an effort to fight against the coming of the doomsday, rather than serving as a background for the time travelers to show off their skills.

So in this book, especially the first volume, I deliberately devoted a lot of space to writing about the situations of ordinary people and indigenous nuns. I even made the protagonist a little thin, just to make these people leave a deeper impression in your hearts. Fortunately, judging from the feedback, this attempt was relatively successful.

(I wrote another chapter that was too boring. What the hell~ Actually, it’s mainly because I’ve been taking short story orders recently, which has caused my dialogue style to be a bit off. I’ll just write one chapter to slow down the process.)
(End of this chapter)